The infinitely long curve, an abstraction of the universe, is connected to the infinite past at one end and the infinite future at the other end, with only irregular random ups and downs in the middle, and one high and low crest just like a grain of sand of different sizes.
——<The Three-Body Problem>
Yes Art Warehouse is located in a small, detached villa in Hangzhou Fengshan Gleaning Creative Park, transformed into a more distinctive art studio based on what was originally an old factory building.
Brick, as a source of conception for architecture and interior, is integrated into the environment in the reconfiguration of form and phase, object and image. Parts of the building are painted white, and its exposed concrete structure infuses the studio with a soothing sense of simplicity; parts of the building use red brick elements to continue the original sense of expansive texture, preserving the roof and building contours as a material basis to continue the senses.
In the interior space, a large amount of white space creates a minimalist spatial surface that concentrates the aesthetics of the scene and amplifies the spatial story. The overall space is pure and tidy, reinforcing one’s perception of spatial framework and order.
Continuing the element of multi-sided folding of the building, through the symmetry, folding and penetration of metal materials, and the division of blue and white blocks to enclose different three-dimensional spaces, the interior and exterior spaces are connected, and the sense of three-dimensionality and power in the space is perfectly displayed.
The four round glass windows, like the cockpit of a transparent spaceship, break through the viewer’s restricted vision while maximizing the tension of its artistic expression.
In the emotion of architecture and the temperament of space, art is always another dimension of existence. Art plays the role of a pioneer at some level, it can cross history and contemporary, intersperse region and culture, converge freedom and innovation, fill the gap of space with imagination and continuously depict the answer to life.
The components of lines and surfaces unfold methodically along the formal logic and inner structure, bringing rhythmic beauty and depth of layers.
A large amount of white space and interspersed blocks separate, transform and reorganize the whole space, allowing the building and the interior to grow freely and harmoniously, increasing the richness of the connection between the first and second floors, and at the same time achieving a spatial transition from convergence to dispersion.
The square geometry of the walls flows, combines and extends in the space, reshaping the vitality of the space. The strict proportional control, in addition to outlining the basic properties of the space, presents the next perception after the vision.
Under the unity and harmony, order is the design approach emphasized by the designer, with simple and clean lines, creating a sense of rhythm and beauty of proportion in the space.
项目名称：Yes art warehouse
PROJECT NAME：Yes art warehouse
DESIGN CONTENT：ART Gallery
CASE DESIGN：Eason Zhu
DESIGN GROUP：Rujia Chen，Anqi Lin
COMPLETION TIME：October 2020