赤梁设计 | KVK深圳概念店

在宇宙间无永恒的运动，亦无永恒的静止

The universe has no eternal motion and stillness

缩地成寸循环往复
shrink the ground into an inch and go round and round

从一个点到另一个点，穿梭舱突破时间空间界限构建神秘领域承载着跳跃者抵达此处产生链接探索散落星际的宝藏。赤梁REDBEAM联手KVK，以空间跳跃“点”为灵感，建造穿梭舱，形成通往异世界的通道，将零售空间赋予虚实转换，开启时空，随处于星际。不断割裂的环形装置贯穿整个空间成为本项目的核心，其造型自带的包裹性与节奏感，营造互动沉浸式新零售体验。

From one point to another, the shuttle pod breaks through the boundaries of time and space to build a mysterious realm that carries the jumper to the place where a link is created to explore the scattered treasures of the stars. REDBEAM and KVK, inspired by the “point” of space jumping, constructed a shuttle capsule – forming a passageway to other worlds, and giving the retail space a reality transformation – opening up the time and space, and being in the interstellar world. The ever-cutting ring-shaped installation runs through the entire space – becoming the centerpiece of the project – with its wrapping and rhythmic shape, creating an interactive and immersive new retail experience.

虫洞是连接宇宙遥远区域间的空间细管虫洞犹如旋涡，可以让距离较远的局部空间瞬间连接，我们建造了空间的灰道，以旋涡式转化河游动线，似穿梭于宇宙弦之间。顶光洒下与环形隧道相映，给予造型外的膨胀感，环境光的丰富为来者进入，聚焦空间却迷离虚幻之感，在已知于未知之间不定摇摆。

Wormholes are thin tubes of space connecting distant regions of the universe. Wormholes are like vortexes – they can instantly connect localized spaces at great distances – we build grey channels in space, with vortexes transforming the river swim lines, as if we were traveling between cosmic strings. The top light pours down and mirrors the circular tunnel – giving a sense of expansion outside the shape, and the richness of the ambient light provides the visitor with a sense of entry – focusing on the space, but with a sense of disorientation and illusion, oscillating uncertainly between the known and the unknown.

▲虫洞示意图，diagram of wormholes © 赤梁Studio

▲入口处， Entrance © 张真

▲旋涡式通道， The vortex channel © 张真

探寻轨迹游猎杀戮
Explore the track safari kills

未踏入空间时，蛇体装置以侵略的姿态带来危险所具有致命吸引力，冲散了内部的神秘感危险与美共生，带领观察者踏入未来与过去。基于KVK”未来游猎式““星际游猎“等概念·赤梁延伸出以蛇形仿生装置结合虫洞概念为灵感符号。

Before stepping into the space, the serpentine device brings the fatal attraction of danger with its aggressive stance, dispersing the mystery of the interior where dan-ger and beauty coexist, leading the observer into the future and past. Based on KVK’s concepts of “future safari” and “intergalactic safari”, Akira has de-veloped a snake-like bionic device combined with the concept of wormholes as the inspirational symbol.

▲蛇体装置模型，model of the serpentine device © 赤梁Studio

▲蛇体装置探头示意图，diagram of the serpentine device © 赤梁Studio

▲蛇体装置，The serpentine device © 张真

人造机械的生物性脊椎律动。随人靠近产生动态，试探，接近，吸引，金属元素搭配骨架式冲击线条以狩猎的姿态·完成装置形态的搭建，通过机械摆动将讯息传达给人类。

Biological Spinal Rhythms of Artificial Machinery. With the human approaching to generate dynamics-testing-approaching, attracting, metal elements with skeleton impact lines in a hunting posture-completes the con-struction of the device form, and conveys the message to the human being through the mechanical oscillations.

▲金属骨架，Metal skeleton © 张真

脱离肉体的一场机械意识体验，一节节金属骨的交接，延续空间秩序阵列，完成机械与人的共生与交互。由感官脊柱所支撑的中枢探头，超镜面反射周边隐匿讯息幽然蓝光一闪一灭似监视，成为舱体介入星际生物群的衍生物。将机械生物的未来性与星际能量融合、碰撞，在纯粹的未来空间里，同肉体意识产生共振，以虚拟三维的形式映入眼前。

A Mechanical Consciousness Experience Out of the Flesh. The intersection of a section of metal bones continues the array of spatial order and accomplishes the symbiosis and interaction between machinery and human beings. A central probe supported by a sensory spine – a hyper-specular reflective perime-ter that hides messages in a blur of blue light that flickers on and off like surveillance – becomes a derivative of the pod’s intervention in the interstellar biome… The futuristic nature of mechanical creatures – fused and collided with interstellar en-ergies – in a purely futuristic space – resonating with the physical consciousness – reflected in a virtual three-dimensional form…

▲蛇体装置细部，Details of the serpentine device © 张真

记忆承载时空胶囊
Memory carrying space-time capsule

时空胶囊，文明的另一颗种子，SPACEJUMP不仅是时空的转变，也是探索未来，过去，与现在交汇点。赤梁将交汇点的搭建，置于空间后场，满足空间销售功能形态·给予所有通道行径终点，并以两条传输带同空间本体链接。

Spacetime capsule, another seed of civilization, Spacejump is not onlya transfor-mation of time and space, but also the intersection ofexploring the future, past, and present. REDBEAM places the intersection at the back of the space to fulfill the functional form of the space’s sales – giving all the paths of travel to their endpoints and linking them to the space itself with two conveyor belts.

▲时空胶囊，Spacetime capsule © 张真

被封存待重启，那是人类对地球留下的最后的臻存。时空胶囊里，寂然之物，挂躺阵多形式的摆放造型解决空间的局限性。“囊”给予KVK产品呈现，丰富观察者之体验。

Sequestered for reboot, it’s the last of mankind’s precious cargo left on Earth. Time and space capsule – silent objects Hanging and lying array of multi-form place-ment – modeling to solve the limitations of space – “capsule” to give KVK product presentation – enrich the experience of the observer.

▲时空胶囊细部，Details spacetime capsule © 张真

阈限空间·无限阵列

Liminality Infinite array

HIRAETH，一个很难翻译的威尔士词一种互相关联的记忆。实现点对点，二维空间对折，即「镜像」运动，使之重合，完成空间跳跃。赤梁延续「∞」INFINITAS概念，延伸内部镜感空间，让顾客从不断反射中产生好奇，自然的引入深处，给予视觉的通透维度的跳跃。为本项目打造的路线，入口为定向，进入到内部由造型刻意穿插，再到最后顾客足迹或是不自主的自然围合，肆意行走随处而落。

HIRAETHJ, A Welsh word that is difficult to translateA kind of interrelated memory. Realize point to point, two-dimensional space folding, name-ly”mirror””Like”movement, making them coincide, completing spatialjumps. REDBEAM continues the concept of [∞].INFINITAS, extends the internal mirror space, so that customers are curious from the constant reflection, naturally intro-duced to the depths, giving the visual permeability of the dimension of the jump! The route created for this project – the entrance is directional, into the interior by the shape of the deliberately interspersed – and then to the final customer footprints or involuntary natural enclosure, wantonly walk everywhere and fall.

DIY区域，作为空间的末章，应带着满足感结束这场体验，设置的多个镜面与DIY桌，可以不尝试，DOITYOURSELF完成自我参与感情感价值的满足。每片镜体构成独立的据点，有意的模糊内部与外部，虚幻与真实。4.2米长的展台满足多人操作，直线型观览动线，纵深延展桌面满足多元化品牌展示，与背后空间功能链接，顾客体验最大化。

DIY area – as the last chapter of the space – should end the experience with a sense of fulfillment – set up a number of mirrors and DIY table, you can not try, DOITYOUR-SELF to complete the sense of self-participation emotional value of fulfillment! Each mirror constitutes an independent stronghold – a deliberate blurring of interior and exterior – the unreal and the real. 4.2m long booth meets the operation of many people, linear viewing line – deep ex-tension of the desktop to meet the diversified brand display, and the functional link with the space behind to maximize the customer experience.

镜面设计不断延伸之后的维度在异世界开启多个通道，引领式的将人类传送至宇宙废士之上游牧自我。最终回归人类人类回归自我。

The dimension after the constant extension of the mirror design opens multiple pas-sages in other worlds, leading the way to transport humans to nomadic selves above the cosmic wasteland. The ultimate return of mankind to mankind to mankind to mankind to mankind.