尔我空间设计 | 镁铱概念婚纱店

临近和距离，触摸和感受，当下和想象，提供一个使人沉浸和愉悦的外表，使得我们的眼睛和所有的感官被诱醒，去形成一个从进入开始的完整的体验感。

Approaching and distance, touching and feeling, present and imagination . provide an immersive and pleasant appearance that awakens our eyes and all senses to form a complete sense of experience from the beginning of entry.

▲项目概览

▲婚纱展示区

▲空间的曲线在视觉上隐匿秩序带来肃穆

对于项目的原空间来说挑高空间的钢结构搭建，自然形成了很多序列。这些序列竖立或斜立于空间中，降低了空间原始的设计可能。婚纱的质感形容是柔美轻盈和圣洁的。在后期的设计过程中，我们需要去处理钢构和空间三维面之间的各种关系，去建立空间的曲线以在视觉上隐匿秩序带来的肃穆。

For the original space of the project, the steel structure with high space naturally forms a lot of sequences. These sequences stand upright or oblique in space, reducing the possibility of primitive design in space. The texture of the wedding dress is described as soft, light and holy. In the later design process, we need to deal with the relationship between steel structure and three-dimensional surface of space, to establish the curve of space to hide the solemn order in vision.

▲不同形式的曲线曲面元素营造出多样的展示空间

▲楼梯间

▲可以洒进阳光的缝隙，配合空间的曲面和高度去呈现皎洁和神圣

其次，采光面单一，外立面无法做任何的开窗改造行为，大尺度的空间内向，这些都影响了空间的光线，而对于一个关联着婚纱服装和妆容的空间来说，光显得尤为重要。我们尽可能的自由窗户可以射及的空间，去制造任何可以洒进阳光的缝隙，配合空间的曲面和高度去呈现白月光一般的皎洁和神圣。

Secondly, the single lighting surface, the facade can not do any window modification behavior, large-scale space introversion, these affect the space light, and for a wedding dress and makeup space, light is particularly important. We create any gap that can shine into the sun, with the surface and height of the space to present the white moonlight.

▲走廊

▲天花板细部

▲地毯与墙面细部

▲茶吧细节

我们想把婚纱作为空间的主体去衬托，而白色作为婚纱的主色系，我们有刻意规避白色去营造空间圣洁的氛围，以大面积的裸色去迎合和凸显婚纱的气质。

We want to set off the wedding dress as the main body of space, and white as the main color system of wedding dress, we have deliberately avoid white to create a space holy atmosphere.