TWOSLEEPERS | Radahlia花艺空间，昆明 | Hi设计

有限的空间中存在无限的自然，无限的自然里寻找最终的意识形态。

Within the confines of a finite space unfolds the boundlessness of nature; within the vastness of nature, we seek the ultimate ideology.

外立面

思考花艺内在的构成关系，一种关于自然与时间的有限艺术表达。如何在有限的空间中寻找无限的自然源力，也许结果存在于场地的本身逻辑。将新的体块关系，植入建筑本体的肌理之中，在循环往复中若隐若现。寻找一些关于自然记忆的多重片段，重构与再造，此刻自然在多重的空间关系中生生不息。

This is a meditation on the intrinsic composition of floral art—a measured expression of nature and time. How might one, in a space defined by limits, discover the inexhaustible source of natural vitality? Perhaps the answer lies in the very logic of the site itself. New spatial volumes are woven into the texture of the architecture, appearing and receding in cyclical rhythm. Fragments of nature’s memory are gathered, reconstructed, and reimagined. In this moment, nature persists—unceasing and alive—within an interplay of layered spaces.

入口

叠加重复的空间关系，我们尝试通过最基础的人体第一视觉，作为一切的原点。装置艺术作为空间中主要的基本单元，形成一种无限自由的体块连接关系。我们将每一个装置作为一个微观世界中的自然变量，将自然界中的各种表现形态植入其中。游走在其中的人们，随机触发装置的自由组合方式，形成一种微观自然的叠加效应，可能于真实的环境一般，缓慢形成一种新的构成语言。

By layering and repeating spatial relationships, we return to the most essential human vantage point—the primary field of vision—as the origin of all perception. Installation art becomes the fundamental spatial unit, establishing an open-ended network of volumetric connections. Each installation is conceived as a natural variable within a microcosm, infused with the diverse forms of the natural world. As visitors wander through, their movements spontaneously trigger new combinations, producing a cumulative effect—like the slow emergence of a new structural language, mirroring the quiet evolution of real environments.

室外视角

室内全景

白日之下，存在一片黑色森林之外的阴影缓慢延续。保留场地本身的下沉区域，进行材质与表达的转换。柔和阳光的背后，留下最后一片沉默的背影。可能是一种冷静的意识流动，短暂地离开现实，热烈的人们在此刻放下城市的紧张与冲突，在此地聚集。虚化的五感体验，产生一种，人，花艺，空间，多重混合的平衡关系。无限向有限折叠，有限向无限消融，最终的意识形态，可能无法永久地呈现。我们行走在短暂的时间记忆之中，编排一场无需停止的戏剧。此刻，我们终将在白日的高山之上，找寻到意识之外的无限自然。

In the daylight, beyond the black forest, shadows stretch with a measured stillness. The original sunken area of the site is preserved, its materials and expressions transformed. Behind the softened sunlight lingers a final, silent silhouette—a calm current of consciousness, a brief departure from reality. Here, passionate souls set aside the tensions and conflicts of the city, gathering in a shared pause. The senses blur, giving rise to a delicate equilibrium between people, floral art, space, and layered perception. The infinite folds into the finite; the finite dissolves into the infinite. The ultimate ideology may never be permanently revealed. We walk within fleeting time’s memory, choreographing a drama without end. And in this moment, upon the sunlit heights, we find—beyond consciousness—the boundless nature that endures.

体块构成