壹立方 | 见山 · 蘑界餐厅

见山 · 蘑界餐厅卓悦中心店
Mountain View· Shenzhen Flagship Store of MOJIE Restaurant
写意山水实践
Subtitle: Freehand Landscape Painting On Interior Project

园地惟山林最胜，有高有凹，有曲有深，有峻而悬，有平而坦，自成天然之趣，不烦人事之工。

——《园冶》
Only the mountains and forests are the most beautiful in the garden, View with peaks and valleys, curves and depths, steep and suspended with flat, forming a natural charm that is not artificial

—— “YuanYe”( The Craft of Garden)

项目位于深圳福田One Avenue卓悦中心，蘑界餐厅主打野生菌火锅，以云南野生菌和西藏墨脱石锅为特色。山既是蘑界的品牌精神所在，又是其核心的品牌符号。壹立方事务所以“城市山林”为概念，提取品牌符号与东方园林美学相结合，探讨传统文化在当代语境下的呈现方式。
The project is located in Shenzhen Futian One Avenue Zhuoyue Center. The category of Mojie restaurant is hot pot of wild mushroom, which is characterized by Yunnan wild mushroom and Xizang Motuo stone pot. Mountain is not only the brand spirit of MOJIE restaurant, but also its core brand symbol. 1-CUBE Studio takes “urban mountains and forests” as the concept, combines brand symbols with Eastern garden aesthetics, and explores the presentation of traditional culture in the contemporary context.

▲山，mountain

空间格局：借景

空间不只是视觉对象，更是身体体验。设计师以园林手法营造空间，通过借景（远借、邻借、仰借）、框景手法，造就开敞透彻的视线角度和动线格局，如同游走于廊柱之间。
Spatial pattern: borrowing scenery.Space is not just a visual object, but also a physical experience. The designer creates space through garden techniques, using borrowed scenery (distant borrowing, adjacent borrowing, upward borrowing) and framing techniques to create an open and transparent visual angle and flow pattern, as if walking between colonnades.

▲借景，borrowing scenery

▲细节：柱子上的壁灯灵感来自于传统民居的起夜灯，人们会把蜡烛放进小壁龛里以起到防风的作用。

Details: The prototype of the wall lamp on the pillar comes from the traditional night light in residential buildings, where people place candles in small niches for windproof.

▲中庭，atrium

体验：重品味而耻奢华

空间色彩以大地色为主，目光所及之处清新淡雅，如同一幅幅写意山水画。山挺且拔，木曲而柔，一阳一阴，一静一动，相依成形。山中就餐，林边清谈，为食客提供摆脱尘嚣俗累的庇所。
Experience: Emphasizing taste without luxury.The spatial color is mainly earthy, The places in sight are fresh and elegant, like freehand landscape paintings. The mountain stands tall and straight, the wood is curved and soft, with Yin and Yang, one static and one moving, forming a mutual dependence. Dining in the mountains, chatting by the forest, providing diners with a space from the hustle and bustle of the city.

▲窗边，by the window

包间概念：东方写意与品牌语意的结合
The concept of private rooms: the combination of Eastern freehand brushwork and brand semantics

包间灵感来自于仇英的《卢仝烹茶图》，通过山、窗、屏风与人的关系延伸出三种观景角度，分别作为三个包间的概念：望山、见山和寻山。前两者为私密包间，望山包间通过小窗框景手法营造出远眺风景的效果，见山包间营造山跃然眼前的感觉。寻山包间为半开放式，会接待两桌不同的客人，利用屏风隔断营造半遮半掩的感觉，同时也为不同客人提供私密性。
The inspiration for private rooms comes from Qiu Ying’s painting “Lu Tong Cooking Tea”, which extends three viewing angles through the relationship between mountains, windows, screens, and people, serving as the concepts of three private rooms: overlooking mountain, seeing mountain, and searching for mountain. The first two are private rooms, while the overlooking mountain private room create a panoramic view through small window, the seeing mountain private room creating a sense of excitement when seeing the mountains to appear vividly. The Xunshan (searching for mountain) private room is semi open and will accommodate two different tables of guests. The use of screen partitions creates a semi concealed feeling, while also providing privacy for different guests.

▲包间概念-《卢仝烹茶图》[明]仇英，
the concept of private rooms- “Lu Tong Cooking Tea”, Ming Dynasty, Qiu Ying

▲包间-望山，private room- overlooking mountain

▲细节：宣纸导视牌，details：signage is made of rice paper

时间的设计

Design On Time

散客包厢营造落日晚霞般的氛围，从窗边如早晨山林间的郁郁葱葱到散客包厢的浓霞余晖，营造时间变化下的不同氛围体验。
Individual guest rooms create a sunset-like atmosphere, from the lush greenery of the mountains and forests by the window to the dense glow of the private room, creating different atmosphere experiences under the changing time.
▲散客包厢，individual guest room