木月建筑设计 | 宜宾arrits品牌集合店

arrits 是集雅趣、现代、简约与艺术为一体的女装品牌集合店。木月建筑设计事务所 (MOON Architects) 结合空间装置，用艺术性的当代语言来实践一个300平方米的商业空间。设计将山行水迹、日月盈昃、辰宿列张的概念通过平面布局、立体构成、筹划空间事件运动展现，在一种未知的欲望下进行创造空间语言，以诠释“日月在天空中运行往复，日出日落，月圆月缺。星辰闪烁张布，各按自己的位置，陈列散布在辽阔的空中”。

arrits is a collection of women’s clothing brands that integrates elegance, modernity, simplicity and art. MOON Architects combined space installations and used artistic contemporary language to practice a 300 square meter commercial space. The design presents the concepts of mountains and water trails, sun and moon surging, and stars and stars through plane layout, three-dimensional composition, and planning of spatial event movement, creating a space language under an unknown desire to interpret “the sun and the moon are in the sky.” It moves back and forth, sunrise and sunset, full moon and moon missing. The stars are shining and spreading, and they are displayed in the vast sky according to their own positions.”

▲商场店铺外观及入口 exterior and entrance in the mall

▲橱窗视角 the perspective of the window

▲穿越arrits流动行进 flow through arrits

▲曲面矮墙的藏与露 the hidden and exposed curved low walls

▲卷轴感展示空间 scroll display area

“日月盈昃，辰宿列张” ——出自《千字文》

译文：日月在天空中运行往复，日出日落，月圆月缺。星辰闪烁张布，各按自己的位置，陈列散布在辽阔的空中。

▲弧形包裹的独立空间 independent space wrapped in an arc

▲弧形金属挂衣杆 the curved metal clothes rail

▲镜湖与空间的关系 the relationship between Jinghu and space

▲核心镜湖近景 the jinghu clocking are

▲舞台梦的开始 the beginning of the stage dream

宜宾地处云贵川三省结合部，金沙江、岷江、长江三江交汇处，积聚了多姿多彩的长江文化，这里依山傍水的地理优势更是为了arrits的到来增添了几笔色彩。我们提取场地里原本特有的弧形轮廓底图作为原型发生的起点，在数学与几何的计算下，空间围绕着柱子流转，以中心的四颗柱子为视觉焦点找到中心点与中心辐射区，叠加宜宾三江口与arrits相遇的故事形成了整个空间的视觉焦点：“镜湖区”，一个虚实交替的中心旋转镜面装置。入口处通过打开店铺前场模糊了既定边界，也让商场公区与店铺自然过渡。入口区域的曲面矮墙起到了流线组织和功能划分的作用。入口处依附着柱子而形成的曲线，动线被沿着对立的圆形自然而然的设置，首先映入眼帘的是一条曲径通幽的小路，透过两边的裂口窥探出另一个新的世界，弧形环绕包裹，采用环绕手法制造出豁然开朗的游园惊梦感，融入了中国古典园林中的设计手法（小中见大、借景、藏露），“曲”路增加了赏景路线，延长了消费游览时间，扩大了空间感，也造成“山重水复无疑路，柳暗花明又一村”的藏露对比。这是一次探索之旅，以游园的动线，让体验者产生好奇、探索、惊喜等情绪。

Yibin is located at the junction of the three provinces of Yunnan, Guizhou and Sichuan, where the Jinsha River, Minjiang River and Yangtze River converge. It has accumulated a colorful Yangtze River culture. The geographical advantage of being surrounded by mountains and rivers adds a few more colors to the arrival of arrits. We extracted the original arc-shaped contour base map in the site as the starting point of the prototype. Under the calculation of mathematics and geometry, the space revolves around the pillars. The four pillars in the center are used as the visual focus to find the center point and the central radiation area. The story of the encounter between Yibin Sanjiangkou and arrits forms the visual focal point of the entire space： “Mirror Lake” installation area, a central rotating mirror installation that alternates between virtual and real. The entrance blurs the established boundary by opening the front of the shop, and also allows a natural transition between the shopping mall and the shop. The curved low wall in the entrance area plays the role of streamline organization and functional division. At the entrance, following the curve formed by the attached pillars, the lines of movement are naturally arranged along the opposite circles. The first thing that catches the eye is a winding path, and another new world can be seen through the gaps on both sides. The arc-shaped wrapping is used to create a sense of surprise in the garden. It incorporates the design techniques of Chinese classical gardens (small and medium to see the big, borrowed scenery, and hidden dew). In addition to spending sightseeing time, it expands the sense of space, and also creates a hidden contrast of “the mountains and rivers are undoubtedly the road, the willows and the flowers are in another village”. This is an exploratory journey. With the movement of the garden, the experiencer will have the emotions of curiosity, exploration, surprise and so on.

▲装置细部 details of the installation

▲中心展示空间 central display area

▲旋转镜面装置 the rotating mirror device

▲展架和展台 display shelves and booths

▲试衣间 fitting room

“镜湖区”将顾客的视觉中心直接引入内部的空间环境，同时也利用了空间的仪式感召示吸引顾客，使其成为可广为流传的形象输出，而通过“镜湖区”的视觉渗透与引导，圆形布局、向心与发散，最大限度使四周作为展示之用，更能紧密的围绕具有仪式感的中心空间。“镜湖区”作为事件发生的容器，静默等待着接下来各种事件的发酵与酝酿。“镜湖区”根据不同时间和情景下为顾客提供千变万化的体验，每一次的访问都略有不同，视情景与主题旋转不同角度，试图超越对功能（需求）与形式（欲望）的传统争端，而指引向诗意的想象。空间的布局、构成、动线沿着圆形自然而然的生长出，顾客从“镜湖区”的外部走进内部，沿曲线界面的流动行进，自然而然地穿越两个环形，再从圆形空间装置的内部走向外部。所经之处，即是舞台。

“Mirror Lake” installation area introduces the customer’s visual center directly into the internal space environment, and at the same time, it also uses the space’s ritual inspiration to attract customers, making it a widely circulated image output, and through the visual penetration and guidance of the “Mirror Lake” installation area, The circular layout, centripetal and divergence, maximize the surroundings as a display, and can more closely surround the central space with a sense of ritual. “Mirror Lake” installation area, as a container for incidents, silently waits for the fermentation and brewing of the following incidents. “Mirror Lake” installation area provides customers with ever-changing experiences according to different times and situations. Each visit is slightly different. Depending on the situation and the theme, it is rotated from different angles, trying to transcend the traditional disputes over function (needs) and form (desires). And guide to poetic imagination. The layout, composition, and movement of the space naturally grow out along the circle. Customers walk from the outside of the “Mirror Lake” installation area into the inside, flow along the curved interface, naturally traverse the two rings, and then install from the circular space. From the inside to the outside. Wherever it goes is the stage.