青·微舍（武汉）工作室 | 无艺术书店

有一种信念，无关艺术，一如花信，滴落心头。有一种期许，透过夜色，凝视火流星斗。既自我寻觅，又心心相守，烙下印记，还有对先贤的回眸。—— 胡乾午

“厢式防水墙廊”是长江沿线防洪系统的最后一道关卡，其内部进深8m左右的长条形空间，被鼓励用做各类商业经营门面。然而，在我们印象中，这里更多的是会所、高端餐厅和茶室、豪车4S店，它们与江滩公园上奔跑放风筝、跳广场舞、遛狗散步的人们，形成了巨大的反差。这次的书店改造，兼具咖啡与展览，是该段落第一家真正打开大门，欢迎人们自由出入的日常空间。而另一方面，作为武汉建筑师，在江堤上做项目显得格外有意义，毕竟98年的洪水是我们最重要的童年记忆。

The “Box-type waterproof wall” is the last barrier in the Yangtze river flood control system, the long strip space with 8m depth inside is encouraged to be used for various shops. However, in our impression, there are more clubs, high-end restaurants and tea rooms, luxury 4S shops. They stand in stark contrast to the people flying kites, dancing, walking dogs and strolling in the riverside park. This bookstore transformation, with coffee and exhibitions, is the first space in the section that really opened the door and welcomed people to come and go freely. On the other hand, as an architect in Wuhan, it is particularly meaningful to do a project on the riverbank. After all, the flood of 1998 is our most important childhood memory.

起坡 SLOPE

首要的问题是，作为防洪基础设施的一部分，这里每年汛期仍有被淹没的风险，因此我们的第一个决定就是室内地面以残疾人坡道的标准，整体按1：12的斜率找坡，方便淹水后，迅速排出。而这一脚下突发的变化，也试图起到调整注意力、拉长体验的效果，让人不至于觉得这小小的空间3秒钟就能够逛完。此外，以600mm为界，其上采用看上去“精贵”的材料，其下采用粗糙耐久的材料，可以泡在水里，我们甚至期待办一场打赤脚淌水进去看的“水上艺术展”。

The first question is, as part of its flood control infrastructure, it is still at risk of being flooded during the annual flood season. So our first decision was to use the disabled ramp standard for the indoor floor, with a slope of 1:12, which convenient for quick discharge after flooding. And this sudden change beneath our feet, also tries to lengthen the experience by adjusting attention. So that people don’t feel like they can walk through this small space in an instant. In addition, with 600mm as the boundary, using materials that look “delicate” on top and rough durable materials on the bottom, which could be soak in water. We’re even looking forward to a “water art show” in which we wade barefoot.

身体 BODY

按最初的设计，我们打算让居中的咖啡岛台延伸至外部，并顺势落下成为一个高背椅，与对面的长廊形成呼应，充分的整合周边环境要素，为书店未来的公共活动提供拓展的空间。但江滩物业叫停了这一“占道”行为，我们需要当场修改方案，便画了个曲线，让已挑出的部分又落回到红线之内。而这一偶得的、身体般柔软的“突出部”，却在运营过程中显得十分讨喜，来往的人都忍不住去摸一摸、靠一靠。

In our original design, we wanted the central coffee island to extend to the outside, and descends into a high-backed chair, echoing the long corridor on the opposite side. So as to fully integrate the surrounding environmental elements, provides space for expanding the public activities of the bookstore in the future. But the property management put an end to this “trespass”，we needed to change the plan on the spot. So we drew a curve so that the selected part fell back into the red line. In fact, this occasional, soft-bodied “projection is very likable, people who came and went could not help but touch and lean on it

轴线 AXIS

我们热切的期望用最小的代价，给予这个迷你书店与艺术馆一种意料之外的“体面”。因此决定采用一种端庄的、古典的“正面性”与“一点透视”构图。但这个空间有一处先天不足，其正立面上的两个柱子（现被空心砖包裹，内为空调机位），与室内空间不对称。为了调和室内外错位的两跟轴线，我们做了一个连续拱的门头与室内吊顶。试图让内部一点透视的空间，从外面看，不至于歪在一边，无论看外面、还是被看，好像都是对称的。门头的连续拱，同时也是对“街坊们”的一种尊重：虽然自己希望能做出变化，但在交接处还是回到了和大家统一的高度上。“no art”的招牌被刻意地竖放，让门头很“自然”的被分成了两截儿，以便使用两块无缝的整版门头金属板。

We are eager to give the mini bookstore and museum an unexpected respectability at a minimum cost. Therefore, we decided to adopt a dignified and classical composition of “frontality” and “one-point perspective”. But there’s one inherent flaw in this space, the two columns on the facade (now wrapped in hollow brick and containing air conditioning units) are asymmetrical with the interior space. In order to reconcile the two axes of the interior and exterior dislocation, we made a continuous arch of the door head and the interior ceiling, trying to keep the “one-point perspective” interior space from looking sideways from the outside. In other words, it seems to be symmetrical both outwards and inwards. The continuous arch of the door head is also a respect for the “neighbors” : although its try their best to change, but in the junction back to the same height with others. The “No Art” sign is deliberately placed vertically so that the door head is “naturally” split in two, allowing for the use of two seamless full-plate metal plates.