多夕建筑 | 鲜入唯煮餐厅

本案的业主是北京的“鲜入唯煮”港式火锅餐厅，一家对于食材的“真”、“鲜”和烹饪的精细都有着极度品质要求的餐厅。在追求网红经济的今天，能够如此本真的打造品牌有点特立独行的意味。新店选址位于北京时尚和热闹的三里屯太古里北区，现状空间的基础条件较为普通，是一个仅有4米层高的平常空间。

For the owner of the case, it is “Xianruweizhu”, Hong Kong hotpot restaurant in Beijing, and a restaurant with extreme quality requirements for the “genuine”, “fresh” and fine cooking of the ingredients. With the pursuit of internet economy today, it’s full of maverick meaning to be able to really build a brand. For the location of the new store, it is located in the fashionable and noisy Sanlitun Taiguli North District of Beijing. With regards to the basic conditions of the current space, it’s relatively ordinary, which is an ordinary space with only 4 meters in height.

空间策略上我们希望突出场地东侧临窗无柱大空间，这里作为主要的堂食区域。东北端头由于建筑立面为不可开启的弧形玻璃，更加私密，因此将其设计为包间。同时也作为纵向空间的结尾，创造一个等级更高的空间高潮。卫生间、厨房、明档、吧台、部分卡座等布置在被电梯井打断的中部区域，结合西侧临窗设置了两个小包间。这样因地就势构成了整体布局。

In terms of space strategy, it’s hoped to highlight the large window-free space on the east side of the site, which serves as the main canteen area. At the northeast end, the building becomes more private as the facade is inaccessible curved glass, so that it’s designed as a private room. At the same time, it also serves as the end of the longitudinal space, creating a spatial orgasm with higher grade. Toilet, kitchen, open gear, bar, some card seats and so on are arranged in the central area interrupted by the elevator well, in combination with the west window, two small bags are set up. As a result, the overall layout has been constituted based on the local condition.

▲包间

▲半包区

诗人、小说家格特鲁德·斯泰因（Gertrude Stein）有句名言 “Rose is a rose is a rose is a rose……”意指在认知的法则中，物自身与再现的形式之间辩证关系。本案的空间设计并没有做过多的修饰手法，而是无为而治，明确空间属性，梳理空间架构，让明亮的区域开敞明快，私密的区域静谧深远，让光明成为光明，阴翳成为阴翳。保证每一个独立空间都有明确而高质量的空间品质即是本案的设计初衷，也是动人之处。

As Gertrude Stein, a poet and novelist, said that Rose is a rose is a rose is a rose…which means that in the laws of cognition, there is a dialectical relationship between the object itself and the form of reproduction. For the space design of this case, there were not much decoration techniques, while it’s useless, clear spatial attributes, comb the spatial structure, make the bright area open and bright, the private area is quiet and far-reaching, let the light becomes the light, the shadow becomes the shadow. It is necessary to clarify the spatial attributes, sort out the spatial structure, making the bright area open and bright, the private area becoming quiet and far-reaching, so that the light becomes light, the shade becomes a shade. It is the original intention of this case to ensure the clear and high quality of the independent space, which is also a moving thing.

▲吧台

▲吧台望向大厅

如何塑造东侧主空间成为定义整个空间氛围的主线。这里我们产生了一个有趣的讨论，也引起了很多持续性的思考。灵感来源于两跑楼梯，既有正负，空间又是延续的。我们用“一分为二”的手法修正了空间比例，也暗示了使用的流线，同时形成了鲜明的视觉景观，加强了南北方向的空间张力。

How to shape the east main space has become the main line to define the whole space atmosphere. Here, an interesting discussion was produced, and we have also aroused a lot of persistent thinking. Inspired by two running stairs, there are both positive and negative, in addition, space is continued. We modify the spatial proportion by “One in two” and also imply the streamline used, while a distinct visual landscape was formed, which has strengthened the spatial tension in the north and south directions.

▲概念分析图

“一分为二”创造了清晰的空间秩序。“一分为二”形成的视觉边界而非行为边界，大厅还是一个完整的大空间。但其存在感又是如此的强势和明确，影响了一系列的设计判断。如明亮的一侧材质选用明快清脆的材料，暗色一侧材料选用则强调厚重感和重量。因此这一动作即是对于上面提到的“物自身与再现形式”之间的辩证关系的细化，又是用最简单的方式塑造空间性格的尝试。

“One in two” creates a clear spatial order. For the visual boundary formed by “one split”, its non-behavioral boundary, the hall is still a complete large space. However, its sense of existence is both strong and clear, which has effect on a series of design judgments. For example, for the bright side of the material, bright and clear materials are selected, the dark side of the material selection emphasizes the sense of weight and weight. Therefore, not only is the action a refinement of the dialectical relationship between the “object itself and the reproduction form” mentioned above, but it’s also an attempt to shape the spatial character in the simplest way.

▲大厅

▲明档

▲海鲜池

另外值得一提的是，在大包间入口处和卫生间走廊两个小空间设置了三组不锈钢镜面艺术装置。通过镜面的反复反射形成了真实与幻想交织复述的视觉体验。在形式上，这与火锅丰富食材以及浓郁醇厚的汤锅不谋而合。

Besides, what is also worth mentioning is that three sets of stainless steel mirror art devices are set up in the two small Spaces at the entrance of the big bag room and the toilet corridor. The visual experience of reality and fantasy is formed based on repeated reflections of the mirror. In view of form, it coincides with the rich hotpot ingredients and the rich and mellow soup pot.