用建筑书写大理风土中的温情栖居
2021年春，我们应邀来到大理为新酒店寻找它的音容笑貌，沿着大理的风土环境、白族的人文特色、建筑风貌一路行走体验，发现这片土地有着它独有的性格，于是我们从在地性和品牌文化折衷梳理了酒店的空间导向，以白族传统民居为原型，在有限的场地中借景、纳光、引风、显性，让观景、品茗、住宿与休憩自然相连，营造既能承接地方文脉，又回应当代生活方式的度假空间。
In the spring of 2021, we were invited to Dali to seek the voice and expression of a new hotel. As we journeyed through Dali’s natural environment, Bai ethnic culture, and architectural features, we discovered the distinctive character of this land. We therefore defined the hotel’s spatial direction by balancing local identity with brand culture. Taking traditional Bai dwellings as the prototype, the design borrows scenery, brings in natural light, guides the wind, and reveals the character of the place within the limited site, naturally connecting sightseeing, tea tasting, accommodation, and leisure. In this way, a vacation space is created that not only carries forward the local cultural context, but also responds to contemporary lifestyles.
酒店位于云南省大理市环海西路下波淜村，东接洱海，西邻村落与苍山，距大理古城约9公里。酒店分三期施工建造，一期为两栋白族传统民居混合改造的建筑，基地面积277.5平方米，建筑面积378平方米，建筑高度7.77米，采用钢筋混凝土框架与砖木结构相对独立搭接的方式建造而成。
The hotel is located in Xiabuqing Village along Huanhai West Road, Dali City, Yunnan Province. It adjoins Erhai Lake to the east and the village and Cangshan Mountain to the west, approximately 9 kilometers away from Dali Old City. The hotel was constructed in three phases. The first phase consists of a building formed through the integrated renovation of two traditional Bai dwellings, with a site area of 277.5 square meters, a building area of 378 square meters, and a building height of 7.77 meters. It was constructed through the relatively independent connection of a reinforced concrete frame with brick-and-timber structures.
一、在传承中自然生长
Growing Naturally In Inheritance
建筑的场地尺度较小，且受环海路交通道路影响，停留感与庭院纵深均受到限制。设计由景观优化、建筑更新与业态植入三方面展开：一方面借助洱海的浪声、日出、礁石、枯木等自然条件转译为庭院景观的一部分，使院落成为洱海环境的补充；另一方面减少投入保留原有白族老建筑与砖混建筑，并在两者之间置入一个具有当代感的“方盒子”进行改造修缮，形成过去、当代与未来并置的空间生长形态。利用“方盒子”的建筑条件将屋顶顺势设置为登临观景可供经营的公共界面，由此补足被周边民居遮挡的苍山视野，获得“面海”与“览山”的双重体验空间。
The building occupies a relatively small site and is affected by the traffic along Huanhai West Road, which limits both the sense of stay and the depth of the courtyard. The design is developed through three aspects: landscape optimization, architectural renewal, and business format implantation. On the one hand, the sound of waves, sunrise, reefs, withered wood, and other natural conditions of Erhai Lake are translated into elements of the courtyard landscape, making the courtyard a complement to the Erhai Lake environment. On the other hand, with restrained intervention, the original Bai ethnic building and brick-and-concrete building are preserved, while a contemporary “square box” is inserted between them for renovation and repair, forming an evolving spatial relationship in which the past, present, and future coexist. Taking advantage of the architectural conditions of the “square box,” its roof is transformed into an accessible and operable public interface for sightseeing, thereby restoring the view of Cangshan Mountain blocked by the surrounding dwellings and creating a dual spatial experience of “facing the sea” and “overlooking the mountain.”
二、尊重建筑，回归功能本分
Respecting Architecture And Returning to Function Itself
对原有白族建筑的处理以尊重和修复为前提：延续殿阁式屋面、飞檐串角、粉墙画壁等地域形制，修缮风化木作、破损屋顶与建筑表皮，并对梁柱墙体进行必要加固。室内尽量避免过度装饰，不设多余踢脚线、吊顶、门套及表层装饰，使空间呈现朴素、清晰而耐久的状态。
The treatment of the original Bai architecture is based on respect and repair: continue the regional forms such as traditional Chinese palace-style roof, upturned eaves and elegantly interconnected corners, walls adorned with paintings; repair weathered woodwork, damaged roofs and building skins, and carry out necessary reinforcement for beam column walls. Excessive indoors decoration is avoided as much as possible, with no redundant skirting line, suspended ceiling, door pocket and surface decoration, making the space present a state of rustic, clear, and durable.
空间布局充分考虑朝向、采光与通风。客房及公共区域均尽可能设置可开启窗，空间的采光需求结合所处地理位置的光束角进行开窗，照明争取自然光使用为主，并以白色的墙顶界面增强反射提高效率，减少对光线的造作和人工光的过度依赖。室内融合功能空间的通畅减少不必要的腔体分隔，辅以吊扇促进空气的流动，降低对电器设备的依赖。
The spatial layout fully considers orientation, daylighting, and ventilation. Openable windows are provided in the guest rooms and public areas wherever possible, with their placement responding to the angle of sunlight determined by the geographical location. Natural light is used as the primary source of illumination, while white wall and ceiling surfaces enhance reflection and improve lighting efficiency, reducing the artificial manipulation of light and excessive reliance on artificial lighting. The interior integrates different functions within an open and unobstructed spatial arrangement, reducing unnecessary enclosed partitions, while ceiling fans promote air circulation and further reduce dependence on electrical equipment.
客房设计从真实使用出发，重新梳理洗漱、卫浴、收纳、休息及五感体验的功能关系，弱化电子产品、噪音与商业推销等干扰因素，从度假角度使身体与心绪回到感受、修复、找寻自我的舒适纬度。家具以实木为主，辅以棉麻、石材等天然材质，从宜人的触感为主要选择；床品、洗护、香氛与音响设备均选择符合空间气质和身体感受，从实用角度拒绝展览式陈列。
Starting from the perspective of actual use, the guest room design reorganizes the functional relationships between washing, bathing, storage, rest, and the experience of the five senses. It minimizes distractions such as electronic products, noise, and commercial promotion, allowing the body and mind to return, through the experience of vacation, to a comfortable dimension of perception, restoration, and self-discovery. The furniture is mainly made of solid wood, supplemented by natural materials such as cotton, linen, and stone, with pleasant tactile qualities as the primary consideration. Bedding, toiletries, fragrances, and audio equipment are selected to correspond with the spatial atmosphere and bodily experience, while exhibition-style display is rejected in favor of practical use.
一层公区承担早餐、咖啡、品酒与日常交流功能，将客房之余的复合空间集中于此形成动静分界。客房与公共空间在面积分配上保持比例均衡，使入住者既可独处，也可在陌生的环境当中轻松找到志趣相投的度假社交，打破游人在异地他乡的拘束使情绪能得到有效的释放。面向洱海的庭院则以散客接待与景观观赏为主，通过礁石、枯木与水景的置入，削弱道路在院落之间的隔阂，形成既有区域划定又相对连接的过渡空间。
The public area on the first floor accommodates breakfast, coffee, wine tasting, and daily social interaction, concentrating the complementary functions beyond the guest rooms in one place and forming a clear division between active and quiet zones. A balanced proportion is maintained between the guest rooms and public spaces, allowing guests either to enjoy solitude or to engage naturally with like-minded people in an unfamiliar environment. This relaxed vacation social experience helps to break the sense of restraint felt when traveling away from home and enables emotions to be effectively released. The courtyard facing Erhai Lake mainly serves independent guest reception and landscape viewing. Through the introduction of reefs, withered wood, and water features, the separation created by the road is softened, forming a transitional space with clearly defined areas that remain relatively connected.
三、以有生命属性的材料建立情感温度
Establishing Emotional Temperature Through Materials with Life Attributes
项目材料以土、木、砖、瓦、石等自然材料为基础。原建筑的瓦顶、木构与老墙被尽数保留，新介入部分则以实木板、石材、白水泥、锈铁与棉麻等自然材料完成延展。石材衍生拓展为水刷石、水磨石、洞石、毛石等不同形态使用，在控制材料投入的同时丰富视觉、触感层次、听觉污染，降低无谓的装饰消耗人的注意力。
The project is based on natural materials such as earth, wood, brick, tile, and stone. The tiled roofs, timber structures, and old walls of the original buildings are fully preserved, while the newly introduced parts are extended through natural materials including solid wood panels, stone, white cement, weathered iron, cotton, and linen. Stone is further developed into different forms, such as washed aggregate, terrazzo, travertine, and rubble stone. This restrained material approach enriches the visual and tactile layers while reducing noise pollution and preventing unnecessary decoration from consuming people’s attention.
设计有意保留材料在使用中生成的痕迹。圆角、破损、自然线、手工肌理与老旧表皮，构成可被触摸、感知的时间弥留。建筑、物件与人的关系不再停留于使用，而是在日常使用的接触中形成温润、向上且持续的情感供养。
The design intentionally preserves the traces generated through the use of materials. Rounded corners, signs of damage, natural lines, handcrafted textures, and aged surfaces together form a lingering presence of time that can be touched and perceived. The relationship between architecture, objects, and people is no longer limited to function, but develops through the contact of everyday use into a warm, uplifting, and continuous source of emotional nourishment.
度假是退出被安排的日常，是去感受、探寻和自我辩证；我们让建筑回到居住本质，让阳光抵达、让空气更新，让人在风、光、海与村落的包容中获得舒展，让不同的生活方式产生真实的共鸣，让建筑成为拥有生命属性的场。
A vacation is a departure from the routines arranged for us—a journey of perception, exploration, and self-reflection. We allow architecture to return to the essence of dwelling, letting sunlight arrive and air renew, so that people may find a sense of ease within the embrace of wind, light, sea, and village. Different ways of living can thus generate genuine resonance, allowing architecture to become a place endowed with the qualities of life.
项目图纸
一楼平面
二楼平面
三楼平面
概念设计分析
项目详细
项目类型：建筑改造
设计单位：西安古早平喆装饰设计有限公司
设计时间：2022-2024
完成年份：2024年
项目设计：何喜
设计团队：何喜、马喆、郭亚晨
建筑面积：486.58㎡
项目地址：中国云南省大理白族自治州大理市银桥镇下波淜新邑村二社82号
合作方：杭州叁芥设计有限公司
施工方：凡春平装饰团队
客户：大理市怡兰酒店管理有限公司
项目摄影：十摄影工作室-谭啸
材料：土、木、砖、瓦、石、白水泥、涂料、铁艺、玻璃；
撰文：何喜
英文翻译：宁佰阳
Project Details:
Project name:Dali Yilan Resort Hotel (Phase I)
Project type:Architecture
Design:Xi’an Guzhao Pingzhe Architectural & Interior Design Co., Ltd.
Design year:2022-2024Year
Completion Year:2024Year
Leader designer:He xi
designer Team:He xi、Ma zhe、Guo ya chen；
Gross built area: 486.58㎡
Project location:No. 82, Group 2, Xinyi Village, Xiaboping, Yinqiao Town, Dali City, Dali Bai Autonomous Prefecture, Yunnan Province, P.R. China
Partner:Hangzhou Sanjie Design Co., Ltd.
Contractor：Fan chun ping Decoration Team
Clients:Dali City Yilan Hotel Management Co., Ltd.
Photography: Studio Ten (Tan Xiao)
Materials:Earth, Wood, Brick, Roof Tile, Stone，White Cement, Paint, Wrought Iron, Glass
Written by: He xi
English Translation by: Ning Baiyang
