ARTWOOD术木源起于树木，从树叶、木材到木香，一直以来想要讲述的是一棵树的故事，旨在打造一个将木与自然充分融于生活的品牌。
ARTWOOD originates from trees — from leaves, timber to the scent of wood.At its core, it seeks to tell the story of a single tree — creating a brand where wood and nature are seamlessly woven into everyday life.
《晋书》有“璇室”，指以玉装饰的屋子，在术木璇室，每一件木艺产品如同墨玉被细细雕琢。
In 《The Book of Jin》, the term “Xuan Chamber” refers to a room adorned with jade. In Xuan Chamber, every wooden creation is crafted with the same precision and grace — like black jade, delicately carved to reveal its inner brilliance.
如《考工记》所言：“天有时，地有气，材有美，工有巧。”木材不仅是形制的塑造，更是心性的修炼。读懂木，便是解读中国人对材料、工艺的尊重，对生活的营造，对宇宙的认知。
As stated in 《The Kaogong Ji》: “Heaven has its seasons, Earth has its vital breath, materials have their beauty, and craftsmanship has its skill.” Wood is not only a medium of form, but also a discipline of spirit. To understand wood is to grasp the Chinese reverence for materials and craftsmanship — and, through them, the art of living and the perception of the cosmos.
章节一：编木
编织木头，听起来是一件反直觉与认知的行为方式，有违木的常性，却正体现了我们在设计“术木璇室”时对产品表现形态的全新思考——通过地板衍化出更多的可能，衍化为构筑空间的立体语言，编织出空间的多种可能。
Chapter I: Weaving Wood
To weave wood — at first, it sounds counterintuitive, even contradictory to its natural character. Yet it precisely embodies our renewed way of thinking in designing Xuan Chamber: to let flooring evolve beyond its plane, transforming into a spatial, three-dimensional language — weaving together multiple possibilities of form and experience within the space.
空间的外立面由一整面的废弃鱼骨拼地板材利旧拼合而成，编织形成的缝隙使得空间有了内与外的通透与好奇，打造为一个可流动的商业性场域。光影穿过这些编织的脉络，将设计的语言温柔投映于外部环境，使整个场域成为一个视觉可流动、充满互动性的商业艺术现场。
The exterior façade is composed of reused herringbone flooring, reassembled into a woven surface.The interlaced gaps create a sense of permeability and curiosity between inside and out, shaping the chamber into a fluid, commercial realm.Light filters through these woven textures, softly casting the language of design onto the surroundings — turning the entire space into a visually flowing, interactive scene of commercial art.
空间内，有一盏温暖的灯笼，由竖向排列的人字拼地板围合而成。我们通过改变地板的尺度、形状与规格，实验木料在不同组合下所产生的节奏与情绪，让相同的工艺能讲述全然不同的空间诗篇。
Inside the space, a warm lantern glows — formed by vertically arranged herringbone flooring.By altering the scale, shape, and proportion of the wooden planks, we explored how rhythm and emotion shift through different compositions, allowing the same craftsmanship to narrate entirely different spatial poetics.
而在产品陈列区的下方，我们以最直白的编织方式呈现时间的厚度——层层叠叠地展示着过往各个术木地板项目留下的样品。胡桃木的深邃、橡木的舒展、杉木的质朴，或深或浅，或长或短。它们是一部木材的编年录，将岁月的记忆凝固于此，诉说着每一段创造的历程。
Beneath the product display area, we reveal the depth of time through the most literal act of weaving — layer upon layer of wooden samples preserved from past ARTWOOD flooring projects. The profound walnut, the open-grained oak, the humble cedar — some dark, some pale; some long, some short. Together, they form a chronicle of wood, solidifying the memory of years gone by and quietly recounting each chapter of creation.
章节二：璇室
一座黑色的圆形亭子内置在三角空间的中心，完全用术木地板「拙木·烟墨」打造，如墨玉一样成为整个场域的精神内核。我们以“璇”为名，既取其“旋转”之形，暗合圆融流动的构筑意象；更溯其“美玉”之意，呼应中国传统中以木为珍、以木为德的喜爱与敬畏。
Chapter II: Xuan Chamber
At the heart of the triangular space stands a black circular pavilion, entirely crafted from ARTWOOD flooring — Zhuomu · Inkstone — its presence resembling polished jade, serving as the spiritual core of the environment. We named it “Xuan”, not only for its resemblance to “rotation,” echoing the circular and fluid architectural imagery, but also for its ancient meaning — “beautiful jade” — a tribute to the traditional Chinese reverence for wood as both a precious material and a symbol of virtue.
亭子的外侧呈现术木地板对于“木”的探索与研究，讲述关于「研木」、「甄木」、「木技」、「木物」的故事。
The outer facade of the pavilion reveals ART WOOD’s ongoing exploration and study of wood, telling the stories of “Researching Wood,” “Selecting Wood,” “Woodcraft,” and “Wood Objects.”
木外呈材质纹理、器形结构，内蕴匠人之心、时代之魂。它无声却深刻，礼于器，载道于形。追溯中国传统木作工艺，寻访被时间刻下痕迹的各色旧木。
Wood expresses itself through texture and structure, yet within it resides the craftsman’s spirit and the soul of an era. Silent but profound, it embodies ritual in its form and carries meaning through its making. Tracing the lineage of traditional Chinese woodworking, we seek out aged timbers marked by the passage of time — each bearing its own story and memory.
“亭者，停也。人所停集也。”是供行人休息的地方。悬挑的灯，在亭子中央打出一段柔和的光线，围合起来的内部空间可用于休憩、交流。
“Ting zhe, ting ye — a pavilion is where one pauses and gathers.”It is a place for rest and repose.A suspended light casts a gentle glow at the center of the pavilion, illuminating an enclosed interior where people may sit, converse, and find stillness amid the flow of space.
我们把空间的尺度降低，让进入亭子的人自然地坐落，被缩短的距离，让人与地面的距离更加接近，自然地可观察地面拼装的工艺与细节。
We lowered the spatial scale within the pavilion, inviting visitors to sit naturally.This subtle reduction in height brings people physically closer to the ground — allowing them to quietly observe the craftsmanship and intricate joinery of the flooring beneath their feet.
打造一个场域，既可以成为文人雅集，也可以为商业行为提供更专业的场景功能。环绕的木地板墙体，可随时化身为深度的材料讨论区；可翻折挂钩与层板，既是产品的展示架，亦是随需而变的磁吸挂件系统。
The space is conceived as a versatile arena — one that can host refined gatherings of scholars while also serving as a professional venue for commercial exchange. The surrounding wooden wall panels can transform at any moment into an interactive material discussion zone; their foldable hooks and shelves function both as product displays and as a modular magnetic hanging system, adaptable to diverse spatial needs.
章节三：木物
在璇室，我们试图将木工技法融入整个空间，榫卯、拼接、楔子，当代材料与传统木艺相结合构造，让术木品牌的木艺沉浸式地融入空间体验中。
Chapter III: Wooden Artifacts
Within the Xuan Chamber, we sought to integrate traditional woodworking techniques throughout the entire space — mortise and tenon joints, inlays, and wedges — blending contemporary materials with classical craftsmanship.In doing so, the artistry of ARTWOOD becomes an immersive spatial experience, where structure and craftsmanship merge into one seamless expression.
于是，榫卯不再是单纯的技艺，它成为空间的骨骼，让温润的旧木与金属共生。
Thus, the mortise-and-tenon joint is no longer merely a technique — it becomes the skeleton of the space,where the warmth of aged wood coexists in harmony with the strength of metal.
“天有时，地有气，材有美，工有巧。”通过拼接地板打造的系列产品，研木之型、以不同的视角与体验制作产品：吧台、灯具、家具、展架……
“Heaven has its seasons, Earth its vital breath, materials their beauty, and craftsmanship its skill.” Through a series of creations built from interlocking flooring pieces, we explore the forms of wood — crafting from new perspectives and experiences: bars, lighting fixtures, furniture, display stands, and more.
用现代设计语言解构传统意象，将弯曲的木材与稳固结构相结合。在流动的线条与笃定的支撑之间，寻找到一种微妙的平衡，赋予木作以当代的张力与静默的诗意。
Using the language of modern design, we deconstruct traditional imagery, combining bent wood with structural stability.Between flowing lines and steadfast supports, a subtle balance emerges — endowing each wooden creation with both contemporary tension and a quiet sense of poetry.
结语：
无声却深刻，藏礼于器，载道于形。
在璇室，追溯中国传统木作工艺，
寻访被时间刻下痕迹的木迹。
Epilogue
Silent yet profound — embodying ritual in its form, and philosophy in its shape.
Within the Xuan Chamber, we trace the lineage of traditional Chinese woodworking,
seeking the wooden imprints carved by time itself.
项目信息
项目名称 | 璇室 · 术木地板
设计公司 | 泛域设计Fununit Design&More
主持设计 | 朱啸尘
设计团队 | 胡晓娴 程成 陈琳 陈璐 吴雨昕 詹孟婷 翁亮亮 陈婷慧
空间主材 | 术木地板 摩根智能 莱姆石 艺术涂料
项目施工 | 杭州凡鸿装饰有限公司
项目摄影 | 奥观建筑视觉AOGVISION
项目规模 | 113㎡
项目地址 | 杭州
完工时间 | 2025.10
Project Title | Xuan Chamber · ARTWOOD
Design Firm | Fununit Design & More
Lead Designer | Eason Zhu
Design Team | Hu Xiaoxian, Cheng Cheng, Chen Lin, Chen Lu, Wu Yuxin, Zhan Mengting, Weng Liangliang, Chen Tinghui
Primary Materials | ARTWOOD , Morgan Smart System, Limestone, Artistic Coating
Construction | Hangzhou Fanhong Decoration Co., Ltd.
Photography | AOGVISION
Project Area | 113㎡
Location | Hangzhou, China
Completion | October 2025
