赤梁空间| 冬·岩 SHOWROOM FORU，河南

建造艺术是空间所承载的时代意志。充满活力，不断变幻，日新月异。既非昨日，亦非明日，唯有这样的建筑能被塑造。从任务的本质而发，以我们时代的方式来塑造形式。这就是我们的工作。

—— 密斯·凡·德·罗 Ludwig Mies van der Rohe

本项目设计的目标简单明晰，通过清晰的体块关系。将空间结构、售卖功能和展示功能结合，简化结构体系，精简结构构件，重视结构逻辑，使之产生流动空间。使用最简搭配和材料平铺净化建造形式。

The design goal of the project is simple and clear. Through clear block relationship, the spatial structure, sales function and display function are combined to simplify the structural system, simplify the structural components, and pay attention to the structural logic to produce a mobile space. Use the simplest collocation and material tiling to purify the construction form.

希望通过本次空间为载体，尝试新的突破，与客群对话，实现品牌性格鲜明化，希望呈现的是一个前卫、有分享性的新零售空间。

It is hoped that through this space as the carrier, we will try new breakthroughs, talk with customers, and realize the distinctive brand character. We hope to present an avant-garde and sharing new retail space.

▲轴测分析

▲门店外观 Exterior View

外立面表皮采用工业语言.波浪铝板和透明玻璃，材质与尺度的克制营造建筑体量感,同时考虑场地性,恰当距离脱离周边环境，透过金属，捕捉光的温度。为了增强光的存在感，外墙玻璃光线透过圆孔，光线被赋予了体块变化，加深空间中体块之间的联系。

The facade skin adopts industrial language Wavy aluminum plate and transparent glass, with restraint in material and scale, create a sense of building volume. At the same time, consider the site, separate from the surrounding environment at an appropriate distance, and capture the temperature of light through metal. In order to enhance the sense of existence of light, the light of the outer wall glass passes through the round hole, and the light is endowed with the change of the blocks, deepening the connection between the blocks in the space.

▲室内入口Indoor entry

走过狭长的“圆筒”入户抵达前厅售卖，增加体块感让人有种置于建筑空间之中场域转换体验。

Walk through the long and narrow “cylinder” to enter the house and sell in the vestibule, which adds a sense of volume and gives people a field conversion experience in the architectural space.

通过空间中“装置”体块之间的联系，完成前场售卖空间和动线之间的贯穿。赋予空间内更多的可能性，将售卖空间和展览空间合并，通过体块之间的自由关系，空间会更有可玩性以及进入空间获得不一样视觉体验。

Through the connection between the “device” blocks in the space, the penetration between the front selling space and the moving line is completed. The space is endowed with more possibilities, and the sales space and exhibition space are combined. Through the free relationship between the volumes, the space will be more playable and have different visual experience when entering the space.

▲废弃石料与建筑结构相结合 The waste stone is integrated into the building structure

寻找废弃矿山遗留石材与石材废料，使其延续自身价值与建筑逻辑，感受时间的痕迹；好的空间应是不同材料关系的和谐统一，在空间表达中统一相同的逻辑。

Look for the stone and stone waste left by abandoned mines, make them continue their own value and architectural logic, and feel the trace of time; A good space should be the harmonious unity of the relationship between different materials, and unify the same logic in the expression of space.

对待材质本身，它想成为谁，该用何种方式用以对待是此次的出发点，出发原点受王鹏启发与影响。尊重材质本身属性.

The starting point of this time is to treat the material itself, who it wants to be and how it should be treated. The starting point is inspired and influenced by Wang Peng. Respect the properties of the material itself.

▲楼梯单体轴测图

▲室内概览 Interior Preview

采用各种体块的金属以及部分灵动的元素，重组与延展金属纯粹材质，以先锋艺术的形式表现；配合局部橙红色的束带将细微的细节形成视觉冲击。

The design uses a variety of metal blocks and some smart elements, recombination and extension of pure metal material, in the form of avant-garde art; With the local orange-red ribbon will form subtle details visual impact.

建筑师的职责是让每一块砖头回归到它自己的位置，建筑师不是在圆自己的梦，而是在帮助砖头完成它们的梦想。”

——路易斯•康

▲陈列区 The display area

玻璃，水，石头，钢材，这是对于密斯提倡的设计元素进行重组与构建，通过不锈钢金属杆件相互叠加，层层阵列，秩序带来仪式感。

Glass, water, stone, steel This is the reorganization and construction of the design elements advocated by Mies. Through the superposition of stainless steel metal rods and layers of array, the order brings a sense of ceremony.

将2F展示区作为空间材质进行较为彻底的裸露，作为对“诚实美学”的初步尝试。玻璃、石头以及钢材等物质加入空间设计中运用，结构、功能和实用作为目标，将裸漏的结构毫无遮蔽的展示在现场和空间装置结合。

Take 2F exhibition area as a space material for more thorough exposure, as a preliminary attempt to “honest aesthetics”. Glass, stone, steel and other materials plus Use in space design, structure, function and practicality as the goal, and combine the naked and leaky structure with the space device on site.

对于骨架式建筑，密斯放弃通过添加“无意义”的艺术化形式来换取一种“更优越的美学”，就像年轻的尼采对历史主义的清算一样：“脱下外套，露出你们的真面目！”只有“更多的想法而不是材料”能够实现这样的目标：“我们任务的目标常常是简单明晰的。只有对其加以认识并开始设计，才能带来卓越的建造方案。

For skeleton architecture, Mies gave up adding “meaningless” artistic forms in exchange for a “better aesthetics”, just like young Nietzsche’s liquidation of Historicism: “take off your coat and show your true face!” Only “more ideas than materials” can achieve this goal: “the goal of our task is often simple and clear. Only by understanding it and starting design can we bring excellent construction solutions.

——《缺少艺术性的文字密斯·凡·德·罗建造艺术论》弗里茨·诺伊迈耶（Fritz Neumeyer）