WAVE.GB | STAGEONE开心麻花沉浸式戏剧酒吧

STAGE ONE 开心麻花沉浸式戏剧酒吧由Wave.GB设计，位于北京市望京嘉瑞文化中心（Garry Culture Center)3层，项目面积约395平米。

STAGE ONE Mahua FunAge immersive drama bar is designed by Wave.GB, with a footprint of approximately 395m², is located on the 3rd floor of Garry Culture Center in Wangjing District, Beijing.

▲入口 entrace

酒吧结合沉浸式戏剧表演，将人带入到不同的故事场景，陶醉在舞台魅力与觥筹之中；空间风格紧紧围绕戏剧元素深挖特征，以戏剧结构中的“开放式”为灵感来源，将戏剧结构转译到空间中，抽象到具象的表达，使空间呈现未完成的状态。空间中精致的完成部分和裸露的未完成部分形成强烈的视觉冲击，像戏剧一样留给观众无限想象的开放式结尾。

The bar combines immersive drama performances, bringing people into different story scenes and reveling in the charm of the stage. The design style of the space revolves around dramatic elements, deeply cultivating its characteristics. It is inspired by the “openness” of dramatic structure translated into space design, from abstract to concrete expressions allowing the space to appear unfinished. The exquisite finish and the exposed unfinished parts within the area create a strong visual impact, like drama, leaving an open ending for the audience’s unlimited imagination.

▲吧台 bar area

▲柱子装饰 pillar deco

酒吧的入口设计成圆形的过渡区域，并将门口的柱子融入到环境中，柱子上半截裸露，结合金属管造型和水泥漆呈现未完成状态，下半截由哈姆雷特经典选段台词内容的金属板包裹，台词点亮映射四周形成独特的视觉符号；天花内嵌了圆形屏幕播放经过处理的眼睛视频，通过眼神传递着情绪；整个过渡区域充满红色，热情庄重，打造走进剧场前的仪式感。

The bar’s entrance is designed in a circular transition area with pillars that integrate into the environment. The upper part of the pillars is exposed, combining metal pipe shapes with cement paint to present an unfinished state. The bottom part is wrapped with metal plates with classic selected lines from Hamlet, creating unique visual symbols for its surroundings when lit up. The ceiling has a circular monitor embedded playing a video of a pair of eyes, conveying emotion to the guests. The entire transition area is filled with vibrant red for warmth and solemn to create a sense of ceremony before entering the theater.

▲座位区 seat area

吧台区域的吊车装置成为吧台的视觉中心，暗示整个空间处在未完成状态，吊车下的票面装置内嵌透明屏幕，播放经典戏剧片段与现实产生联动，增强空间戏剧氛围。

The crane is the visual center of the bar area, implying that the space still needs to be finished. A sign underneath the crane, a transparent monitor is playing classic drama clips to create a link with reality, enhancing the dramatic atmosphere of the environment.

▲沙发区 sofa area

▲包房 viproom

在空间布局中，设计师将整个空间看作是一个完整的“舞台”，再将各个功能区域分别嵌入舞台之中，切割出了吧台区域、控台区、座位区、沙发区等；嵌入式的座位与舞台浑然一体，打破观众与表演区之间的界限，使观众真正的融入到戏剧场景中。

In the layout of the space, the designer regarded the space as a whole stage, embedding different function areas into the background. Carving out a bar, console area, seating, and lounging area and integrating seats with the stage as one structure breaks the barrier between guests and performers, immersing the audience into the theater scene.

▲舞台座位 stage seat area

舞台最终呈现为扇形，避开死角，以最大辐射角度照顾到全场的观众，并通过舞台的切割实现了不同高度的观看区域以及多样的座位形式，增加空间层次感与观看体验。

The stage is presented in a fan shape to avoid blind spots and maximize the visualization angle to accommodate the audience. By cutting the scene, the spaces create multiple viewing areas with different heights and seating arrangements, adding diverse special layers and viewing experiences.

▲细节 detail

帷幔、置景方式、台词等经典的戏剧元素作为细节融入到酒吧中；酒吧内多处墙面利用帷幔烘托氛围；吧台区域和沙发区域利用了舞台置景的手法，墙面的设计呈现木饰面与龙骨之间的冲突感，局部的吊顶、半围合的墙面、墙上的门、台词、小推车上的半截墙、画框等元素组成了具有舞台感的场景；空间中的几根柱子设计师做了不同的比例处理，冷光灯线微弱的红光隐约映出柱身上的台词，让人沉浸在一幕幕经典戏剧脚本中。

Curtains, scene setting methods, reading lines, and classic drama elements have all been integrated into the bar as details. The walls inside the bar use curtains to enhance the atmosphere. The bar and the lounge use stage-setting techniques; the wall is designed to create visual contrast with wood veneer and keel. Parts of the ceiling, half-walls, doors on the walls, lines, the half-wall above the cart, picture frames, and other elements construe a stage-like scene. The designer made different proportion pillars; the cold-colored line lights and faint red light reflect the script lines on the post. Letting people immerse in the scenes of classic drama.