Create a dream world in the entrance, a dream as if traveling through time and space. Along with the light and shadow changes of the art installation, the experience will slowly return to reality from the dream. The old and the new civilizations and the differences between the East and the West meet and collide here. Elements from different times and spaces create a virtual world like a movie, with unknown material appearances.
The progressive introversion of the entrance also lays the groundwork for triggering the massive contrast of the hall with spatial tension behind. When the experiencer enters the promenade, he feels the sudden change in light and shadow of the installation. It gives life to the overall space and leaves the viewer with a vivid touch with absolute visuality.
Dimensional Shift of Emotions
“There was a small entrance to the mountain, and a light shone out. After walking dozens of steps, everything appears.” As soon as you step into the scene, the twists, the turns, and the penetration of light and shadow create a sense of mystery and invoke the imagination.
The concept of space is also given a retrospective look in the presentation. Under the overall quiet atmosphere, through the striped space and deep inside, light and time change from dark to light, and time and space change from generation to generation.
The orderly combinations and intense colors create a carnival feast of misaligned perspectives. It breaks the deep and solemn tone of the vestibule. The metal texture of the main wine rack changes in response to the light, capturing the first visual point of the viewer entering the vestibule and becoming the spiritual symbol of the space.
In the center of the space, the “golden syrup”, the color inherent in whiskey, is used as the artistic prototype. It uses water as the theme, meaning that a foot of water generates a hundred feet of waves, which is endless. It allows rhythm and vitality to pass through the space and symbolizes rebirth. It is a metaphor for Zhuangzi’s “Journey to the End of the World” in which the Kun can swim 3,000 li at once, and the Peng can fly 90,000 li with its wings.
Each piece of metal is scattered to gather and then put together through the circular formation in the space, forming a flowing space with a strong sense of tension. It is like the moment when the water waves roll over, surging and floating, echoing the metaphor of the soul’s journey that profoundly touches the whisky. The clash of colors also brings more layers to the space.
The space is cleverly matched with various arches to solve the problem of height and space while maintaining its order. It uses the structural undulation of different arches to break the monotony of flatness, enhance the tension of the picture and enrich the visual level.
The curved bar serves as a visual line, linking the whole space in an orderly way. Under the cover of the light, the hardness and gentleness can be seen through the round elements.
The soft light in the guest sitting area raises the visual temperature of the space little by little, creating an unreal world with natural touch and emotion for the experience. Reality and dreams are reintegrated into a new dimension. Consciousness and unconsciousness are released in an unsearchable private realm. We hope to create a unique relaxation experience for our clients with a beautiful and sensual perspective. On the one hand, we pay more attention to the choice of soft decoration and color to adapt to the overall color tone of the space. On the other hand, we also use soft decoration to supplement hard decoration, showing the combination of hardness and softness of the overall soft decoration of the space.
The calm but not melancholy gray-blue and warm and unassuming yellow light reflect each other, forming a warm and cold tone to create a visual impression and echo the emotional cues, and spreading the local environmental perception to the whole.
The lower light of the texture painting reflects on the metal, forming a contrast of ambient light rendering. The rich texture of the bumpy surface gives the place a better sense of emotion.
In a slightly drunk atmosphere, there is no disturbing noise. You can indulge yourself for a long time or make an appointment with some friends to chat and enjoy it. Hide here, steal a half-day for leisure.
Sensory Switching of Space-Time Dimension
It is a dramatic scene. With the light and shadow of the oriental art installation shown at the entrance, the viewer steps into a new world full of modern vitality, as if traveling through time and space. It creates a theatrical and unreal scenario like a movie, in which the experiencer receives a fragmentary revelation of the future in a dream world. It reintegrates reality and dreams into a new dimension, where consciousness and unconsciousness are released in an unsearchable private realm. Through “entry”, “birth”, “penetration”, “touch”, and “stop”… the viewer searches for the dream symbols of the self and the freedom of surreal awakening.
The curved semi-enclosed space uses lines to create vertical continuity and a deep sense of time and space, building a concise and subtly scaled tunnel of time and space.
The entrance-style light extension is both a prelude and an end. The open and mysterious semi-curved facade combines the rhythm and order of the space to release the original power of the building.
Outlining the Quiet Order of Light and Shadow
Light is the essence of all things. Color and light abstract from the trajectory of reality to convey and create a new immaterial dimension. The path to the interior is accompanied by changing lines of light and shadow, forming a perceptual link that echoes the silence of the space within the experiencer. DDID believes that light itself is always a manifest substance and should be presented as a visible subject in space, conveying the human spiritual world through the materiality of light.
The dark black color scheme conveys the space’s mystery and high-class feeling. The light and shadow in the gallery space permeate the structure’s cracks. The flowing shadows break through and change the impression of a heavy and dull atmosphere, full of movement and linear beauty.
Knocking at the door of imagination, it seems to enter a surrealistic mystery of light and shadow. The end-view interface uses a gallery painting with spatial depth. It interacts with the corrugated metal panels on the ceiling, creating a visual impression and echoing emotional cues, and spreading the local environmental perception to the whole. The orange color in the space jumps with the light and shadow, experiencing and extending inward.
项目名称 ： RH威士忌酒吧
项目地点 ： 深圳福田
室内设计 ： 深圳市鼎点室内设计有限公司
主笔设计 ： 罗淞元
协助设计 ： 吴承鹏
设计团队 ： 陈少东、胡杨、刘子健、陈明辉
项目摄影 ： 印象文化
灯光配合 ： 迈石灯光
建筑面积 ： 650㎡
完工时间 ： 2022年4月
主要材料 ： 手工艺术漆、不锈钢、木饰面、艺术玻璃