项目位于一处写字楼内
入口被塑造为一个
富有氛围感的“空间阈值”
打破场地内部可预期的节奏
一条修长的弧形通道
通过先压缩后展开的空间序列
引导访客逐步进入
在无窗的入口环境中
重置感官节奏
营造期待
接待与休息区：平静的抵达
Reception and lounge: a calm arrival
从踏入室内的那一刻起，接待区与公共休息区便与外部城市形成柔和的对比。嵌入天花的膜灯光模拟自然光引入室内深处，立即营造出一种静止感。柔和弯曲的墙体弧线与漫射光线悬浮其上，塑造出平静却充满能量的氛围。
From the moment one steps inside, the reception area and public lounge area form a gentle contrast with the external cityscape. Membrane lights embedded in the ceiling simulate natural light, penetrating deep into the interior, immediately creating a sense of stillness. The gently curved wall curves and diffused light suspended above them, shaping a calm yet energetic atmosphere.
在此次项目中，我们始终将材料、光线与形态作为一个连续体来处理，塑造身体在空间中的移动方式与体验方式。最终形成的空间既扎根于日常，又具有提升感——一处平静与纪律并存的场所，并在每一个细节中给予空间底蕴。
In this project, we have consistently treated materials, light, and form as a continuum, shaping the way the body moves and experiences in space. The final space is rooted in everyday life yet exudes a sense of elevation – a place where calm and discipline coexist, and every detail imbues the space with depth.
整个设计注入了充满趣味的元素，以此提升游览体验。色彩被用作一种超脱现实的形式，这一理念借鉴自约瑟夫·阿尔伯斯在《色彩的相互作用》中的探索。
The entire design incorporates playful elements to enhance the spatial exploration experience. Color is employed as a form that transcends reality, a concept inspired by Joseph Albers’ exploration in “Interaction of Color”.
“颜色不断地迷惑。”
“Color deceives continually”
——约瑟夫·阿尔伯斯
Joseph Albers
自然光同样为组织空间的重要线索。我们也有意的在间隙中将自然光引入中心场地，光影的反射与阴影变化，让空间体验更具魔力。开放式布局同时旨在激发交流与工作协作，通过家具的布置，生成一系列正式与非正式的场景。
Natural light also serves as an important cue for organizing space. We have intentionally introduced natural light into the central area through gaps, creating a magical spatial experience through the reflection of light and shadows. The open layout is also designed to stimulate communication and collaboration, generating a series of formal and informal scenarios through the arrangement of furniture.
核心：生长张力
Core：A Tension That Grows Outward
为了确立强有力的第一印象，我们将设计的核心锚点定位于的大体量结构——中心核心筒。在形态塑造上，我们试图通过几何语言，在理性逻辑下寻找绝对对称的平衡感。这一巨构装置不仅是空间的视觉焦点，更产生了一种向外爆发的“生长张力”。
To establish a strong first impression, we positioned the core anchor of the design as the large-scale structure – the central core tube. In terms of form shaping, we attempted to seek an absolutely symmetrical balance through geometric language under rational logic. This huge structure not only serves as the visual focus of the space, but also generates an “explosive growth tension” towards the outside.
空间的叙事由入口便开启，整体动线围绕中心核心筒展开。针对空间可实现周期性的更新、高度灵活的诉求，我们采取了“散落式”布局——我们刻意与不再场地内做固定形式的结构，将空间最大限度的释放出来，如博物馆展品般散落在空间各处。这种策略不仅赋予了极大的物理自由度，也让空间界面更为通透、立体。
The narrative of the space unfolds from the entrance, with the overall circulation centered around the central core. In response to the demands for periodic updates and high flexibility of the space, we adopted a “scattered” layout – we deliberately avoided fixed structures within the venue, maximizing the release of space and scattering it throughout the space like museum exhibits. This strategy not only grants great physical freedom but also makes the spatial interface more transparent and three-dimensional.
步入走道，空间内的光环境被刻意收敛与控制，由此引导观者的情绪逐渐聚焦。脚下铺设的深浅不一的粉色水磨石，采用小规格方块状进行离缝铺贴，这种极具阵列感的逻辑，为整个展厅锚定了坚固缺油温暖的基调。在空间内，四根椭圆形的巨构处理，光影在硬朗的表面刻画出分明的明暗关系，营造出一座具有纪念碑感与雕塑感的未来场域。
Stepping into the aisle, the lighting environment within the space is deliberately converged and controlled, thereby guiding the viewer’s emotions to gradually focus. The pink terrazzo paving, varying in shades, is laid out in small square shapes with gaps between them. This highly arrayed logic anchors a solid, warm tone for the entire exhibition hall. Within the space, four oval-shaped megastructures are treated, with light and shadow carving distinct shading relationships on their hard surfaces, creating a future field with a monumental and sculptural feel.
一组克制的暖色、中性色调贯穿整个空间，使其具有连续性与轻松感。整体式接待台锚定开敞大堂，而整合于定制木作中的壁龛，则模糊了收纳、零售与展示之间的界限。材质强调冷暖平衡。水磨石基底提供连续背景，木材用于家具与地面分区，缓和空间气质，带来自然的触感。整体克制中性，避免过度的装饰刺激感官，干扰体验。
A restrained palette of warm and neutral hues permeates the entire space, lending it a sense of continuity and relaxation. The integrated reception desk anchors the open lobby, while niches integrated into the custom woodwork blur the boundaries between storage, retail, and display. The materials emphasize a balance between cool and warm tones. The terrazzo base provides a continuous backdrop, while wood is used for furniture and floor zoning, softening the spatial atmosphere and offering a natural tactile experience. The overall design is restrained and neutral, avoiding excessive decoration that might stimulate the senses and disrupt the experience.
流动：共生空间形态
Fluid Symbiotic Spatial Form
设计中粉色调的环境柔化了空间氛围。这些色彩的搭配产生出微妙的光学振动，让空间显得更加轻盈、富有趣味。特意挑选的颜色旨在传递欢乐与愉快的感受。通过强调高光色调，同时让色彩自然交融，确保了视觉的焦点。
The pastel-toned environment in the design softens the spatial atmosphere. The combination of these colors produces subtle optical vibrations, making the space appear lighter and more interesting. The specially selected colors are intended to convey a sense of joy and happiness. By emphasizing the highlight tones while allowing the colors to blend naturally, the visual focus is ensured.
除了基础照明，整个大厅采用统一的背光膜天花。这一连续的光膜表面不仅提升了整体照明水准，还有效减少了生硬阴影，为开敞的等候区增添柔和氛围，营造出开放而愉悦的空间体验。
In addition to basic lighting, the entire lobby adopts a uniform backlight film ceiling. This continuous light film surface not only enhances the overall lighting level but also effectively reduces harsh shadows, adding a soft atmosphere to the open waiting area and creating an open and pleasant spatial experience.
室内空间打破常规的静态分区模式，以流动共生的空间逻辑作为组织原则，在敞开式的场景内，以光线的走势为脉络，在保持视觉和空间连续性的同时，有机串联空间的功能分区，将展示区、咨询等候区、接待台三大功能体块进行有机交融与重构。
The indoor space breaks away from the conventional static zoning model, adopting a fluid and symbiotic spatial logic as its organizing principle. Within the open-plan setting, the design follows the trajectory of light, organically connecting the functional zones of the space while maintaining visual and spatial continuity. The exhibition area, consultation waiting area, and reception desk are seamlessly integrated and reconfigured.
“我们不希望客人一进门就被包围”
于是
整个空间以「情绪递进」为逻辑
对空间进行前场体验
后场功能的清晰分区
构建循序渐进的游览节奏
“We don’t want guests to be surrounded by products the moment they enter.”
Therefore
the entire space is logically divided into distinct zones based on an “emotional progression” concept
with the front area for experience and the back area for functionality
creating a gradual touring rhythm
可触碰，可感受的才是空间
Space Must Be Felt And Touched
我们借助了一些「纪念碑谷」中的灵感，利用视错觉与几何体块的穿插，将锋利的直线几何体转转译为温润的弧形，在留白与通透的采光中、刻意设置的停留节点里，让人在游走时体验不同的空间场景与情绪感受。在这个以水磨石为核心产品的展厅里，希望呈现一种外表是硬朗的，但内里却有着极致温柔的松弛感。
We drew inspiration from “Monument Valley” and employed optical illusions and geometric block interlacing to transform sharp straight lines into gentle curves. Amidst the white spaces and transparent lighting, and at deliberately set stopping points, visitors are able to experience different spatial scenes and emotional sensations as they move around. In this exhibition hall, where terrazzo is the core product, we aim to present a look that is tough on the outside but has an extremely gentle and relaxed feel on the inside.
前场空间作为情绪入口，弱化商业属性，主打松弛的体验与社交功能。空间保留部分自然采光，搭配高挑的物理空间，增加了内建筑空间感的同时，也规避了多人聚集时的压迫感，可灵活承载品牌活动、访客接待、行业交流等多元场景，同时分布散落的沙发座椅，满足轻洽谈、深交流的不同需求。
The front space serves as an emotional gateway, emphasizing relaxation and social interaction while downplaying commercial elements. The space retains natural lighting and features a lofty physical design, enhancing the sense of interior space while mitigating the sense of oppression during large gatherings. It can flexibly accommodate diverse settings such as brand events, guest receptions, and industry exchanges. Additionally, scattered sofa seating caters to varying needs, from casual discussions to in-depth exchanges.
跳出固化思维，追溯材质自然本源，让访客在繁杂的生活之外，拥有静心感知美学、自由、遐想的精神角落，赋予品牌空间超越服务本身的人文价值。
Break free from fixed thinking, trace back to the natural origins of materials, and provide visitors with a spiritual corner for contemplating aesthetics, freedom, and reverie beyond the complexity of daily life. This endows the brand space with humanistic value that transcends mere service.
源于对触感、工艺与感官体验的共同欣赏，让木头、绒布、金属与触觉在空间中彼此回应、相互对话。通过精心编排的材料、光影与空间关系，让顾客亲身体验这些元素如何营造出宁静，重新感知人与空间细腻而深刻的互动。
Driven by a shared appreciation for tactile sensations, craftsmanship, and sensory experiences, we allow wood, velvet, metal, and touch to resonate and engage in a dialogue within the space. Through meticulously choreographed relationships between materials, light and shadow, and space, we enable customers to personally experience how these elements create a serene atmosphere, rediscovering the delicate and profound interaction between humans and space.
结语
THE END
一个空间，一个关乎想象，一个关注感知，一个关乎凝视，共同构成了公共空间功能之外的精神维度。它们与那些宏伟的体块、温婉的材质一起，完成了一次对当代医美公共空间的重新定义，它不应是等候的场所，而应是一座能够承载情绪、引发共鸣、传递品牌价值观的风景。
末染设计与ZHIYAN·知颜首次深度共创。本次以雕塑性曲面语言解构医美空间。在太原这座历史浸润的城市中，构建了一座超越常规的医美旗舰店，叙述着流逝、停滞与逆转的叙事。
A space, one that pertains to imagination, one that focuses on perception, and one that concerns gaze, together constitute the spiritual dimension beyond the functional aspects of public spaces. Together with those grand structures and gentle materials, they have redefined the contemporary medical aesthetic public space. It should not be a place for waiting, but rather a scenery capable of carrying emotions, evoking resonance, and conveying brand values.
MOOTHAN Design collaborates with ZHIYAN for the first time in a deep co-creation. This time, we deconstruct the medical aesthetic space using sculptural surface language. In Taiyuan, a city steeped in history, we have constructed an extraordinary medical aesthetic flagship store, narrating the story of passage, stagnation, and reversal.
项目信息
项目名称：ZHIYAN·知颜医美
设计方：末染设计
项目设计：2025.12
完成年份：2026.06
主创及设计团队：孟飛、程备备、末染设计
项目地址：山西省太原市
建筑面积：800平方
摄影版权：RICCI空间摄影
装修主材：木饰面、艺术漆、木地板、水磨石
