赤梁空间 | KVK POP-UP Store

《Interstellar》第五维度。在属于四维空间的世界，通过无数时间轴线，时间平面，建立起一个五维空间。

蓝道尔将“这个我们看不到的空间”称为“第五维空间”。

The fifth dimension proposed in Star Trek. Our world belongs to four-dimensional space, and a five-dimensional space is established through countless time axes and a time plane.

Randall called “this invisible space” the “fifth dimension space”.

▲《Interstellar》片段

生活在无限大的五维空间中的人类，我们只能感知到其中的四维——空间和时间。五维空间观是对称空间观的展开，对称空间观是五维空间观的本质。在探索未知的驱使下，为线下展览注入了特别的灵感与启发。

Human beings live in an infinite five-dimensional space, but we can only perceive four dimensions — space and time. The five-dimensional space view is the expansion of the symmetrical space view, which is the essence of the five-dimensional space view. Driven by exploring the unknown, it has injected spe-cial inspiration and inspiration into offline exhibitions.

▲鸟瞰图

Act One | 新序章的“开端”

The “beginning” of the new preface

追溯灵魂的庇护所穿梭于过去未来

形似动物的尖牙破土而出，来自原始野性与未知能量的碰撞。颠覆传统认知，以未来回溯性眼光审视当下文明。KVK也希望通过可拆卸重组的配饰生命循环态，为像他们这样不断迁徙的城市自由人，完成对自己多重身份的转化与表达。

Fangs shaped like animals broke through the earth, which came from the collision between primitive wild-ness and unknown energy. Subvert the traditional cognition and examine the current civilization with a retrospective perspective of the future. KVK also hopes to complete the transformation and expression of their multiple identities for urban free people who are constantly migrating like them through the life cycle of detachable and reconstituted accessories.

▲细节局部

Act Two | 空间的“视觉语言”

“Visual Language” of Space

赋予进入者沉浸的氛围成为灵感诞生的载体

KVK品牌籍由未来感的艺术哲学重构为视觉语言，并通过自由的佩戴方式重组，致力于探索物质之外的更多可能性。

KVK hopes to reconstruct its futuristic art philosophy into a visual language, and to explore more possibilities beyond material objects through the reorganization of free wearing.

自我认知是流动的，会根据每个人所处的场景而变化。希望这种自我认知能够在一定程度上得到自由的转换。

Self-perception is fluid and changes according to each person’s situation. I hope this self-cognition can be transformed freely to some extent.

虚似自由，实则有序，体块组织动线，视线串联场地。佩戴者可以将KVK的自由部件进行自由搭配组合，并产生与每个人相关的化学反应，满足佩戴者自我认知的转化和表达。

Seemingly free, in fact, orderly, block organization moving line, line of sight series site.The wear-er can freely match and combine the free components of KVK, and generate chemical reactions related to each person, so as to meet the transformation and expression of the wearer’s self-cognition.

▲细节局部

品牌系列间都会有所关联。在每个系列结束后，往往会有一些新的认知或想法更新产生，像是对当下即有产物的延伸迭代，也是由此及彼的关联跳跃。品牌自身的美学风格也是在这种不断构建与解读中建立出来的。

Every collection of the brand has a connection. At the end of each series, there will always be some new cognition or idea update, like an extended iteration of the existing product, which is also related to jump from this to that. The aesthetic style of the brand itself is also established in this kind of continuous construction and interpretation.

▲中心展台区

Act Three | 以万物演化成“形态”

All things evolve into “form”

以“混沌会毫无理由地关生秩序”为灵感

结合阴阳、回转、流动等万物演化形态，推出一系列灵动多变的不规则配饰，用中性，中立，自成态度但没有疏离感，用黑白接纳不同角色，不同互动，不同可能。

In combination with the evolution forms of yin and Yang, rotation, flow and other things, a series of flexible and changeable irregu-lar accessories are launched. With neutral, neutral, self-contained attitude but no sense of alienation, different roles, different interactions and different possibilities are accepted in black and white.

Act Four | 不被定义的“疆域”

Undefined “territory”

艺术是上帝的语言结构是光的创造者

瞩瞻独立的意识当下，审美认知的驱使，人们亦希望通过一些跳板施行自己的美学欲望，万物皆是画布画中物，精致与原始的风格碰撞，黑，白，金属的板块拼接围绕，去猎获属于自己的元素。

At present, driven by aesthetic cognition, people also hope to implement their aesthetic desire through some springboards. Everything is a canvas painting, delicate and original style collision, black, white, metal plate splice around, to hunt for their own elements.

为了将“艺术哲学”重构为3D空间的“视觉语言”，探索表达的各种可能，而创作灵感则会来自生活的方方面面，比如音乐、建筑、材料、自然、人文、科幻、物理等领域。

In order to “philosophy of art” refactoring “visual language” in 3 d space, usually, KVK team before creation, can choose by hand making model, to explore the expression of various possibilities, and creative inspiration will come from all aspects of life, such as music, construction, materials, nature, humanities, science, and even physical fields can be inspired.

▲展架及细节

继续坚持“自由重组”的艺术哲学理念，努力将最原始的生物自然与未来概念进行融合碰撞，产生设计灵感的电光火石，给佩戴者无限的“自由意志”表达的空间。

Continue to adhere to the artistic philosophy of “free reorganization”, strive to integrate the most primitive biological nature with the concept of the future, generate the lightning of design inspiration, and give the wear-er unlimited space for the expression of “free will”.

始终期望不同观众，在不同的场景下都能获得合适的自我表达，而KVK可拆解和重组的饰品，就是在这一表达上增加了一份独特的仪式感。

重新审视杂乱无章的混乱现实中意料之外的秩序图景，将“流动即常态”的观点注入本次“混沌之序”的特写世界。

It is always hoped that different people can obtain appropriate self-expression in dif-ferent scenes, and KVK can be disassembled and reassembled jewelry, is to add a unique sense of ritual to this expression.Re-examine the unexpected order picture in the chaotic reality, and inject the view of “flow is normal” into the close-up world of “Chaotic Order”.