木木陈 | 杭州YINNO UNICO服装买手店

人把自己围起来，是因为空间太可怕，时间太可悲，于是人们安心地想，那里有取代无限空间的白墙，有取代无限时间的软床。

Yinno unico品牌理念是展现当下女性在智慧、学识、勇敢、自信、时尚和艺术修养多领域和维度的自我成长之精神。而代表着女性力量的觉醒、冲破传统固有束缚的智慧女神雅典娜，可以说是现代女性的缩影，也是设计师对于Yinno unico品牌的深刻认知和理解，以展现多维度空间的源泉。

The brand concept of Yinno Unico is to show contemporary females’ spirit of self-growth in multiple dimensions including wisdom, knowledge, courage, confidence, artistic cultivation, etc. Athena, the goddess of wisdom who represents the awakening of females’ power and the break of traditional shackles, is still a role model for modern women today, and offered a main source of inspiration for MMC DESIGN to conceive a multi-dimensional space for Yinno Unico to convey its brand values.

“怎样的空间能让参与者感觉自己就是女神？”

“What kind of space makes users feel like a goddess?”

在脑海中挥散去一切，女人婀娜的剪影和手中的盾牌在光中显现，虚无中升起的建筑，规整有序的结构下，光影的投射隐去了她，又与之融为一体，猛然破碎了结构，我成了神庙中或方体或锥体。

To create a space filled with the divinity of goddess, the design team drew on the breathtaking primitive strength of the Parthenon dedicated to goddess Athena and the Pyramids.

原始的震撼力是其它任何力量所不能比拟的，帕特农神庙、金字塔从自然中获得的信仰崇拜通过原始几何形体闪耀着，如光照亮的不仅是建筑、历史，还有精神的维度。

The primitive geometric forms of those ancient treasures carry the beliefs derived from nature, and “illuminate” architecture, history and spirit like light.

从建筑的维度上呈现的三角形、矩形回归到纸上，在笔尖肆意，像万花筒以原始几何变化又始终保持秩序。几何美学表达了人类对自然的敬意，隐藏着宇宙的奥秘，人类不断的探索却又琢磨不透。不如变成孩子，以纯粹的视角去玩这次的“积木游戏”，搭建出一个纯真的多维空间，这样的空间或许可以说是以神圣的几何学对永恒的一种浪漫表达。

The triangular and rectangular forms of the Parthenon and the Pyramids are brought into the boutique store, showing geometric changes while producing a certain order. The geometric aesthetics expresses human’s respect for nature, contains the secrets of the universe and embodies mankind’s spirit of continuous exploration. By playing the game of “building blocks” from the perspective of children, the designers created a pure multi-dimensional space, which is a romantic expression of eternity via divine geometry.

▲立体平面图 Diagram

编织出宇宙的面纱

Veil of the universe

入口的初空间，立面的弧形、地面的圆刻线、中心的岩石，光从凹陷的顶中像轻纱沿着圆润的边缘缓缓滑下，整个空间轻柔地笼上一层沉静，在意识深深处这样的纱下是庄严的女神，亦或是宇宙的隐秘，如约翰尼斯·开普勒在《宇宙奥秘》中写的：上帝是按照柏拉图多面体来建造太阳系的。

The store’s entrance features curved walls, circular lines inscribed on the floor, and a rock at the center. And the light, like a piece of gauze, falls down gently from the sunken ceiling along round structural edges, filling the space with a tranquil atmosphere. Behind this “veil” is the divine goddess or the mysterious universe, echoing what Johannes Kepler explained in his work Mystery of the Universe – god designed the solar system through Platonic solids.

以“弧线”立面形式分割开又串联起的空间是来自Joma Sipe画布上秩序、几何绘出形态的空灵：在连续的阶段下是永远不会熄灭，经历无尽的时间和岁月后，形态就是她自己。空间的探索，也是对生命哲学的内在隐射。

Curved walls that separate yet connect various functional areas in the store are inspired by Joma Sipe’s works, which portray scared geometry and order on the canvas and show the form of endless cycles. The design of this space is an implication of life philosophy to some extent.

▲Joma Sipe作品：The Chapels of Silence The Chapels of Silence by Joma Sipe

被奏响的几何乐章

Rhythm of geometry

“建筑是凝固的音乐”，楼梯就是这音乐中最美的变奏。楼梯不仅作为楼上楼下纵向空间的过渡桥梁，走楼梯的过程也是对自我的一次进化，作为商业空间，怎样能把客户不自主地引向二层？

“Architecture is frozen music”, while the stairs are the most aesthetic variation of this piece of music. The staircase in the boutique store is a bridge connecting 1F and 2F, and offers people a journey of self-exploration as walking along it. More importantly, as a transition in this commercial space, it needs to guide consumers to the upstairs in an intriguing way.

神殿级的楼梯能带领人民心所向往。从立面、俯面逐级放大的阶面，以严谨的比例、几何叠出竖向的、聚拢的导向性的视觉焦点，这变奏从现实穿透镜面，渐强渐弱，韵律不断，在人心中奏响音乐的是空间的魅力。

With rigorous proportions and geometric shapes, the stairs are enlarged step by step from the side and aerial views, thus creating a vertical, intensive and guiding visual focus. The continuous, variable rhythm penetrates the mirror, producing charming “melodies” in the space.

借光摇醒空间的生

Vitality of light

在几何构建的非自然中寻找到自然，光是自然的艺术语境，从神殿多利亚柱头小心取下的凹纹剪影细细地镶刻在构件、家具、空间中，从这些构造错层和缝隙中溜进来的光，贴着Pentelic自然色般的表面材质，喃喃着时间的历史，从空间轴线穿过的光，发出清晰明朗的声音，过去、现在、未来都借着光影在虚无的意识中对话，去赋予空间鲜活的生命力。

The designers resorted to light to unveil nature in this geometric, non-natural space, and to produce an artistic ambience. The flutes of ancient Greek temple’s Doric columns are incorporated into structures, furniture and space in the form of gaps. Light penetrates those gaps, and touches the interior finishes that simulate the textures of Pentelic marbles used in the construction of the Parthenon, seeming to tell the story of the past. The light that passes through the spatial axis creates a dialogue among past, present and future, whilst endowing the space with vitality.

在自然光下呈现出织物的本真、陶器般的空间肌理、自然的岩石、质朴的画面中用弧形的钢材画上一笔鲜红，色彩、质感的碰撞与材质的结合，一条无线的轴线在空间里伸展开。

The natural lighting highlights the fabrics of clothes, ceramic-like spatial textures and the red arc-shaped steel island. Hues, textures and materials contrast yet integrate each other. In the form of light, an infinite “axis” stretches through the space.

人把自己围起来，是因为空间太可怕，时间太可悲，于是人们安心地想，那里有取代无限空间的白墙，有取代无限时间的软床。“是诗人谷川俊太郎尝试以自身的”困境“描写的空间叙事，其深陷的”时间软床“和连续不断的”白墙“表现出了空间流动的诗性。

“People enclose themselves, thinking that space is too scary and time is too pathetic. They feel at ease in their enclosed realm, believing that there are white walls and soft beds to replace infinite space and time.” This is how Shuntarou Tanikawa narrates space in his poem. The “soft beds” and “white walls” express the fluid poetry of space.

用几何做帆去探索

Geometry as the sail

桢文彦在《漂浮着的现代主义》一文中写，当下的建筑世界，空间像海洋，时间则没有统一的方向。

In the article Floating Modernism, Japanese master architect Fumihiko Maki explained that Until the 1970s, architects all coexisted in a large boat named “Modernism”. But, as Modernism expanded and dispersed, that boat has disappeared, with its style, theory and manifestos thrown into the open sea. Fortunately, there are still some swells that guide us in unknown directions.

从原始社会的岩石壁画到信仰、再走向哲学家、数学家、艺术家的意识世界，始终都脱离不了几何形态，它呈现了从现实到虚无空间，自然与非自然的联系对话。从几何堆叠构出的空间，将对实体空间的真实体验浸染到情绪意识中，展示了时间的轴线和形态的永恒。

Rock murals in the primitive society, beliefs as well as the spiritual world of philosophers, mathematicians and artists are often related with geometry, which establishes a dialogue between the physical and spiritual, nature and thinking. The space shaped by superimposed geometric structures creates an immersive emotional experience, conveying the eternity of time and forms.