纪律建筑 | 樂發擂茶飯店，上海 | Hi设计

局门路所在的场地原为著名的江南制造局，现毗邻八号桥创意园，生活与商业氛围浓厚。樂發擂茶饭店位于该街道的核心地段。沿街分布各类店铺，原建筑立面材质拼贴破败，环境略显杂乱。政策不允许改变原建筑结构、材料和加设体量。因此，整合外立面并植入新的空间秩序，满足餐饮的流线需求是设计首先要解决的问题。

Ju Men Road was once part of the Jiang Nan Arsenal. Le Fa Lei Cha Restaurant occupies the heart of this street. The immediate surroundings are chaotic, but regulations prohibit any alteration to the original building’s structure or materials. Therefore, we need to introduce a new spatial order and plan the flow.

一、场地策略：类型转译构建新的空间秩序

Strategy: Typological Translation as a New Spatial Order

擂茶是海陆丰地区的特色饮食文化。我们希望空间的整体氛围既能体现南洋风情，同时也能与街道融合共存。设计采取了一种内向的、以类型为驱动的空间策略。“三合天井”是海陆丰地区民居的常见类型，即在主要空间的一侧配置体量，与“院墙”围合出一个中庭。隋代展子虔所作的《游春图》中院落的高低空间关系和以大观小的全局感知方式给予了我们启发，对“三合天井”形制简化的同时，有意将围合院子的屋檐和墙体按照比例前后高低错落，让体量在空间之间形成对话。

Lei cha (pounded tea) is a distinctive culinary tradition of the Hai-lu-feng region. We wanted the spatial atmosphere close to Southeast Asian while also blending harmoniously with ShangHai. Our response was an inward-looking, typologically driven spatial strategy. The courtyard is a common typology in Hai-lu-feng vernacular dwellings—typically a volume placed beside the main space, enclosed by a “courtyard wall” to form an atrium. The layered vertical relationships of courtyards as seen in Zhan Ziqian’s Tang-dynasty painting Spring Excursion offered inspiration. We simplified the courtyard while intentionally staggering the eaves and walls around it in a rhythmic, proportional alternation—higher and lower, forward and back—so that volumes engage in dialogue with one another.

入口的微小高差、板前隔断和厨房的墙体将空间依次划分为玄关、内、外就餐区域，建构出层层递进的私密性。庭院隔断可推拉的窗户采用磨砂阳光板，通过对光线的漫射与柔性控制，塑造出内外氛围的微妙差异。同时照顾了i人与e人的就餐需求，让空间具备更多包容和温度。

The entrance’s level change, partitions, and the kitchen wall sequentially divide the space into an entry vestibule, an inner dining area, and an outer dining area, establishing a graduated sense of privacy. Sliding windows in the courtyard partition are fitted with frosted polycarbonate panels. Through diffuse and controlled light transmission, they create subtle atmospheric shifts between inside and outside, lending the space greater warmth and inclusiveness.

二、建造逻辑作为空间叙事

Tectonic Logic as Spatial Narrative

我们坚持将建造逻辑作为空间叙事的原点。结构与建造方式本身，几乎构成了空间中的全部装饰：厨房墙体的立面语言，直接由建造方式与功能使用所决定。混凝土地梁、加气块和水泥砖依次砌筑，在2.4米高度重新浇筑圈梁；圈梁以上为减轻重量而采用轻钢龙骨结构。厨房内部操作台的高度决定了加气块的砌筑高度，并与圈梁一同限定了出餐口、明档和门洞的尺度——功能需求被精确转译为建造的模度。

We adhered to the principle of making tectonic logic the very origin of spatial narrative. Structure and construction methods themselves constitute almost all of the spatial ornamentation: the façade language of the kitchen wall is determined directly by how it is built and how it functions. A concrete ground beam, aerated concrete blocks, and cement bricks are laid sequentially, with a new ring beam cast at 2.4 meters height. The height of the kitchen counter dictates the masonry height of the aerated blocks, and together with the ring beam, defines the dimensions of the pass-through opening, the open kitchen front, and the doorways—functional requirements are precisely translated into modular construction dimensions.

简化后的屋檐和隔断仍保留了梁柱结构，入口玻璃砖旁柱子顶部的收口刻意留下一道阴影，作为对柱头的隐喻，让缺席的装饰以光影显形。不同的材料、不同的建造方式造成的密度和颜色差异共同构成了空间中的素描关系。

The simplified eaves and partitions still retain their post-and-beam structure. At the top of a pillar beside the entrance glass bricks, a deliberate shadow gap is left—a subtle allusion to the capital of a column, allowing the absent element to manifest through light and shade. The density and color variations resulting from different materials and construction techniques collectively compose the spatial chiaroscuro.

三、城市界面

Urban Interface

外立面的处理延续了相同的建构逻辑。厨房新建墙体延伸至入口，与铁艺门共同转折倾斜，形成一个半内退的入口空间，以打破立面的平坦，创造出城市界面的呼吸感。为统一杂乱的原建筑立面，门头以镀锌板和工作室开发的灰泥为表皮，通过裸露的角钢和扁钢铆接在建筑墙体上，灰泥远看如煤黑色，实际上是由深蓝色和橙色两种对比色混合而成，因此在不同的角度能感受到如油画罩染般冷暖变化的效果。新建部分与原建筑柱子、墙体上的文化石协调共存——既可清晰辨读新旧肌理的差异，又在整体色调与质感上融合统一，折射出时间层叠的痕迹。

The exterior facade treatment continues the same tectonic logic. The new kitchen wall extends to the entrance, where it meets an iron gate and together they turn and incline, creating a semi-recessed entry space. This breaks the flatness of the facade and introduces a breathing pause in the urban interface. To unify the otherwise chaotic existing facade, the storefront is clad in galvanized steel sheet and a proprietary stucco developed by our studio. Angle steel and flat steel are riveted to the building’s structural walls. The stucco is a blend of two contrasting colors—deep blue and orange—so that from different angles, it produces a shifting, warm-cool effect reminiscent of glazing in oil painting. The new additions coexist with the existing columns and the cultural-stone cladding on the walls: the difference between old and new textures is clearly legible, yet the overall tone and materiality achieve a cohesive unity, reflecting the layering of time.

结语：

Conclusion

通过类型演绎，我们将海陆丰的集体记忆植入当下的空间语境。我们相信，即使有限的造价，经由合理的建造和控制，也能为当下更多新兴的商业空间营造出好的氛围。

We embed collective memory into the current spatial context. We believe that even with limited budgets, through reasonable construction and control, we can create a positive atmosphere for more emerging commercial spaces.

项目图纸