LISO里所空间设计 | OHARA甜品店，杭州 | Hi设计

以芭菲的层次组织空间

Organizing Space Through the Layers of a Parfait

OHARA 是一家位于杭州的芭菲甜品店，项目室内面积约100平方米。设计以品牌的核心产品——芭菲为出发点，尝试将甜品中不同食材的层次关系转译为空间语言。

OHARA is a parfait-focused dessert shop located in Hangzhou, with an interior area of approximately 100 square meters. Taking the brand’s signature dessert—the parfait—as its starting point, the design explores how the layered relationships among different ingredients can be translated into a spatial language.

一份芭菲的丰富，并不来自某一种味道，而是水果、奶油与不同质地的食材在同一容器中的组合。清爽与浓郁、轻盈与厚重彼此独立，又通过层次的递进形成完整的感官体验。

The richness of a parfait does not come from any single flavor, but from the combination of fruit, cream, and ingredients of varying textures within a single vessel. Freshness and richness, lightness and density retain their distinct qualities while coming together through a gradual progression of layers to create a cohesive sensory experience.

这种“分层而不割裂”的关系成为 OHARA 的核心设计理念。空间并不直接模仿甜品的外在形态，而是通过不同材料、色彩、家具与光线的组织，将味觉中的层次转化为可以被观看、触摸和逐步感知的空间体验。设计的层次也不止于室内，而是从面向街道的入口界面开始展开。

This relationship of being “layered yet interconnected” became the central design concept of OHARA. Rather than directly imitating the physical form of the dessert, the design organizes materials, colors, furniture, and light to translate layers of taste into a spatial experience that can be seen, touched, and gradually perceived. This sense of layering extends beyond the interior, beginning at the storefront facing the street.

面对临街的原有边界，设计将其中一部分让给植物，沿店铺外缘设置线性种植槽。深色槽体与后方的金属网格栏杆共同建立清晰的水平界面，不同高度的草本、花卉与枝叶则从中生长出来，柔化建筑立面的硬朗线条。植物位于街道与店铺之间：从室外看，它们成为店铺最先呈现的景观；透过玻璃，又与室内空间形成前后交叠的视觉层次。种植槽并非一次性完成的静态装饰。随着季节变化，植物可以被更新，临街界面也因此保留了持续生长与改变的可能。行人不必进入店内，也可以在经过时看见这一小片景观。设计在相对明确的商业边界中留出一处柔软的过渡，让 OHARA 与日常街道建立联系。

Working with the existing street-facing boundary, the design gives part of this edge over to vegetation, introducing linear planters along the perimeter of the shop. The dark planter boxes and the metal mesh railing behind them establish a clearly defined horizontal edge, while grasses, flowers, and foliage of varying heights grow through this framework, softening the rigid lines of the building facade. Positioned between the street and the shop, the plants become the first landscape element encountered from outside. Seen through the glazing, they also create overlapping visual layers with the interior beyond. The planters are not conceived as static decorative features. As the seasons change, the planting can be renewed, allowing the street-facing facade to continue evolving over time. Passersby can experience this small planted landscape without entering the shop. Within an otherwise clearly defined commercial boundary, the design introduces a softer transition, establishing a connection between OHARA and the everyday life of the street.

室内空间则以由轻至重、由开放至围合的方式继续展开。

Inside, the spatial sequence continues to unfold from lightness to depth, and from openness to enclosure.

入口及前场以白色肌理墙面、外露梁架与银色金属构件建立明亮的空间基底。浅色界面的连续性保留了空间的通透感，黑色框架与深色柜体则穿插其中，在明亮的背景中形成清晰的视觉秩序。这一部分如同芭菲最上层的水果与奶油，以轻盈、清爽的感受开启室内的空间序列。吧台区域进一步强化了这种关系。白色格架以黑色金属边框收束，透明玻璃器皿被置入规则的框架中，使陈列本身成为立面构成的一部分。灰黑色柜体与金属台面形成相对简洁的操作界面，大型工业感吊灯则在上方建立明确的视觉焦点。规则的线条、透明的器皿与具有工业质感的构件相互组合，使这一部分在保持功能属性的同时，呈现出清晰而富有层次的视觉关系。

The entrance and front area establish a bright spatial foundation through textured white walls, exposed structural beams, and silver-toned metal elements. The continuity of the light-colored surfaces maintains a sense of openness and transparency, while black frames and dark cabinetry are interspersed throughout, establishing a clear visual order against the bright background. Much like the fruit and cream forming the uppermost layers of a parfait, this area introduces the interior sequence with a sense of freshness and lightness. The counter area further develops this relationship. White grid shelving is enclosed within black metal frames, with transparent glassware arranged inside the regular compartments, allowing the display itself to become part of the elevation’s composition. Charcoal-gray cabinetry and metal countertops create a relatively restrained working surface, while an oversized industrial-style pendant light establishes a distinct visual focal point above. The combination of regular lines, transparent vessels, and industrial materials allows this functional area to maintain a clear yet layered visual character.

不同区域之间并未完全依靠实体隔墙划分，而是通过材质转换、地台高差与顶面界面的变化，建立连续而具有差异的空间关系。随着空间向内延伸，深色木饰面逐渐取代浅色界面，并从墙面连续延伸至顶面。抬高的木质地台与包裹式的木质界面共同构成相对独立的区域，形成一个“空间中的空间”。地台明确了区域之间的边界，而连续的木质表面则增强了内部的围合感，使空间从前场的开放逐渐转向更安静、更具包裹感的状态。如果说浅色墙面与金属构件构成了空间清爽的第一层，那么木材、皮革与织物的加入，则让空间逐渐呈现出更温厚的质感。不同材料的变化并不是简单的表面装饰，而是与空间分区共同作用，使各区域拥有不同的视觉密度与感官特征。

Rather than relying entirely on solid partitions to define different zones, the design establishes spatial continuity and distinction through material transitions, changes in floor level, and variations in ceiling treatment. As the space extends inward, dark wood finishes gradually replace the lighter surfaces, continuing from the walls onto the ceiling. A raised timber platform, together with the surrounding wood-clad surfaces, defines a relatively independent area, creating a “space within a space.” The platform establishes a clear boundary between zones, while the continuous wooden surfaces reinforce the sense of enclosure, allowing the atmosphere to shift gradually from the openness of the front area toward a quieter, more intimate environment. If the light-colored walls and metal elements establish the first, refreshing layer of the interior, the introduction of wood, leather, and textiles gradually brings warmth and depth. These material transitions are not merely decorative treatments; they work together with the spatial organization to give each area its own visual density and sensory character.

中古家具的组合是项目中另一个重要的设计策略。

The combination of vintage furniture forms another important design strategy within the project.

设计没有采用统一款式的家具配置，而是将皮革餐椅、金属框架椅、条纹卡座、休闲单椅、玻璃茶几与图案地毯组合在同一空间中。不同家具在轮廓、尺度、材质和包裹感上的差异被有意保留，同时通过深棕、黑色与银灰色之间的呼应建立整体联系。这些家具并非只是独立的陈设物件，也参与了不同空间场景的形成。长桌提供相对开放的共享就坐形式，靠墙卡座形成连续而明确的座席边界，休闲单椅与地毯则组合出更接近客厅的休息区域。不同的就坐形式与家具组合，使传统甜品店相对统一的餐饮场景呈现出更加丰富的使用层次。商业空间与日常生活场景在这里相互交叠，也使空间在满足餐饮功能之外，拥有更为松弛的氛围。

Rather than selecting a uniform furniture collection, the design brings together leather dining chairs, metal-framed chairs, striped banquette seating, lounge chairs, glass coffee tables, and patterned rugs within the same interior. Differences in form, scale, material, and sense of enclosure are deliberately preserved, while recurring tones of dark brown, black, and silver-gray establish a sense of cohesion. These pieces are not simply independent decorative objects; they actively contribute to the formation of different spatial settings. Long tables provide a relatively open format for shared seating, wall-side banquettes establish continuous and clearly defined seating boundaries, while lounge chairs and rugs create more relaxed areas reminiscent of a living room. Through these varied seating arrangements and furniture combinations, the relatively uniform dining environment of a conventional dessert shop is transformed into a more diverse range of spatial experiences. Commercial and domestic settings overlap here, giving the space a more relaxed atmosphere beyond its primary dining function.

灯光进一步强化了不同区域之间的层次变化。

Lighting further reinforces the layered transitions between different areas.

吧台上方的大型金属吊灯强调了操作界面，裸露的灯线沿黑色框架垂落，在墙面前形成轻盈的线性构图。进入木质区域后，壁灯与局部点光源将照明尺度拉近至家具和人的高度。暖色光线落在木材、皮革与织物表面，使不同材料的纹理、色泽与触感形成更加细腻的视觉变化。相比大面积材料所建立的空间基调，细节陈设承担了更为轻巧的连接作用。白色亚麻桌布与透明玻璃器皿削弱了深色家具和金属构件的厚重感；壁挂音响、打字机及中古物件为空间加入日常生活的痕迹；紫色鸢尾、黄色花朵与柠檬则作为少量而鲜明的色彩点缀，穿插于吧台、壁龛与餐桌之间。这些尺度较小的物件如同芭菲中不同风味的点缀，在深浅、冷暖与虚实之间形成细微的变化，也让不同区域在各自独立的基础上产生视觉联系。

Above the counter, a large metal pendant emphasizes the working surface, while exposed lighting cables descend along the black framework, creating a light, linear composition against the wall. Moving into the wood-clad areas, wall sconces and localized points of light bring the scale of illumination closer to the furniture and its occupants. Warm light falls across wood, leather, and textiles, revealing subtle variations in their textures, tones, and tactile qualities. Compared with the overall atmosphere established by the larger material surfaces, smaller decorative details play a lighter, more subtle role in connecting the different areas. White linen tablecloths and transparent glassware soften the visual weight of dark furniture and metal elements. Wall-mounted speakers, a typewriter, and vintage objects introduce traces of everyday life. Purple irises, yellow flowers, and lemons provide small but vivid accents of color, appearing across the counter, niches, and dining tables. Like the contrasting flavors that punctuate a parfait, these smaller objects introduce subtle variations between light and dark, warmth and coolness, solidity and transparency. They also establish visual connections between areas that otherwise retain their individual identities.

从临街种植槽中随季节更替的植物，到室内由浅入深的材料界面；从规则的金属构件到不同质感的中古家具，OHARA 将芭菲的层次概念转化为空间中一系列连续的设计关系。植物带来随时间发生的变化，材料、家具与光线则建立起随步行逐渐展开的感官序列。

From the seasonally changing plants in the street-facing planters to the gradual transition from light to dark material surfaces inside, and from the regular geometry of metal elements to the varied textures of vintage furniture, OHARA translates the concept of a parfait’s layers into a series of continuous spatial relationships. The plants introduce changes that unfold over time, while materials, furniture, and light establish a sensory sequence that gradually reveals itself as visitors move through the space.

清爽与醇厚并非两种相互对立的风格，开放与围合也不是彼此割裂的空间状态。它们通过材料、界面、家具与光线的变化相互衔接，并由临街的植物景观向日常城市生活延伸。正如一份芭菲通过不同食材的组合建立完整的风味，OHARA 也尝试让不同的空间层次彼此保留差异，又共同构成属于品牌的整体气质。

Freshness and richness are not treated as opposing styles, just as openness and enclosure are not conceived as disconnected spatial conditions. Instead, they are linked through transitions in materials, surfaces, furniture, and light, extending outward through the planted streetscape into the everyday life of the city. Just as a parfait achieves its complete flavor through the combination of distinct ingredients, OHARA seeks to preserve the individuality of each spatial layer while bringing them together to form a cohesive identity that belongs to the brand.

项目图纸